Vernon Lee and the European cultural heritage, 18-19 September 2025 – Programme

Please don’t forget to register for the conference. Registration is open until June 30. You can sign up here: https://dr01.azur-colloque.fr/inscription/fr/216/inscription

During registration, you’ll have the option to add supplements such as the conference dinner (€45) or dinner for an accompanying guest (€45). Please note that these options must be selected at the time of registration. It will not be possible to add them at a later stage.

Christophe Gelly & Emilie Laurent, for the organising committee

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Associazione Culturale Il Palmerino: Upcoming Events

Dear readers,

we are delighted to share the following information from our friends at the Colonica di Villa Il Palmerino!

Carissimi Soci 

Siamo felici d’invitarvi all’inaugurazione della ormai consueta mostra di ritratti realizzata da Charles Cecil Studios, che conferma la sua partecipazione alla vita culturale fiorentina con questa importante fucina di giovani talenti e pittori della migliore tradizione classica. Lunedì 2 Giugno dalle ore 18 alle ore 21 venite a festeggiare con noi la loro esposizione che rimarrà al Palmerino fino al 22 Giugno e si concluderà con una giornata aperta a tutti per open door painting.

Dear Members and Friends We are delighted to invite you to the inauguration of the now customary exhibition of portraits by Charles Cecil Studios, which confirms its participation in Florentine cultural life with this important forge of young talent and painters in the best classical tradition. On Monday 2 June from 6 to 9 p.m. come and celebrate with us their exhibition, which will remain at the Palmerino until 22 June and will conclude with an open day for open door painting.

Come annunciato a inizio maggio durante la conferenza della Dott.ssa Cristina Acidini vorremmo organizzare una visita di gruppo alla mostra da lei curata a Villa Bardini. Il giorno prescelto è venerdì 20 giugno alle ore 16 sperando di avervi con noi vi chiediamo di prenotarvi al nostro email, vi daremo tutti i dettagli nella risposta.

As announced at the beginning of May during Dr Cristina Acidini’s lecture we would like to organise a group visit to the exhibition curated by her at Villa Bardini. The chosen day is Friday 20 June at 4 p.m. Hoping to have you with us, we ask you to book at our email, we will give you all the details in the reply.

Inoltre volevamo segnalarvi che siamo stati inseriti nell’Estate Fiorentina con un bel progetto che condividiamo con altre due associazioni vicine a noi Casa Museo Schlatter e Itaca; vi sarà un cartellone di eventi diffusi, itinerari musica e performance che si aprirà con l’inaugurazione il 26 Giugno di una mostra di disegni di Ludovico Tommasi al Palmerino ne siamo molto orgogliosi e a breve vi daremo notizia dell’intero programma. 

We also wanted to inform you that we have been included in the Estate Fiorentina with a fine project that we share with two other associations close to us, Casa Museo Schlatter and Itaca; there will be a programme of widespread events, music itineraries and performances that will open with the inauguration on 26 June of an exhibition of Ludovico Tommasi’s drawings at the Palmerino.

Colonica di Villa Il Palmerino

associazione@palmerino.it

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Vernon Lee Conference in Paris – 18 & 19 September 2025 : Registration is now open!

Dear colleagues,

We are pleased to inform you that registration for the upcoming Vernon Lee conference is now open. You may register via the following link:

Registration will remain open from Monday, May 26 until June 30.

Please note that a new “Supplement” section has been added to the registration form, including the following options:

  • Conference dinner: €45
  • Dinner for an accompanying guest: €45

These options must be selected at the time of registration. It will not be possible to add them at a later stage.

⚠️ Kindly note that American Express cards are not accepted for payment.

Should you have any questions or encounter any difficulties, please do not hesitate to get in touch.

We’ll be reaching out soon with some guidance on hotel reservations.

Best regards,

Christophe Gelly, for the organizing committee

******

Chères et chers collègues,

Nous avons le plaisir de vous informer que les inscriptions au colloque sont désormais ouvertes. Vous pouvez vous inscrire via le lien suivant :

Les inscriptions seront ouvertes à partir du lundi 26 mai et se clôtureront le 30 juin.

Veuillez noter qu’une section « Supplément » a été ajoutée au formulaire, incluant les options suivantes :

  • Dîner du colloque : 45 €
  • Dîner pour un accompagnant : 45 €

Ces options doivent impérativement être sélectionnées au moment de l’inscription. Il ne sera pas possible de les ajouter ultérieurement.

⚠️ Merci de noter que les cartes American Express ne sont pas acceptées pour le paiement.

Pour toute question ou difficulté rencontrée, n’hésitez pas à nous contacter.

Nous vous contacterons bientôt avec des conseils concernant la réservation d’un hôtel.

Bien cordialement,

Christophe Gelly

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Vernon Lee and the European cultural heritage: Reciprocal influences and intermedial dialogue – Influences réciproques et dialogue intermédial – Paris, September 18 & 19, 2025

Dear readers,

we are delighted to forward the final programme of the conference organised by Prof. Christophe GELLY (Université de Clermont Auvergne) and Emilie LAURENT (PhD Université de Clermont Auvergne), under the aegis of ECHELLES UMR 8225 and CELIS 4280, with the support of the IVLS. Looking forward to meeting with you for this exciting event, Bâtiment Olympe de Gouge, 8 place Paul Ricoeur, Paris. For information about the event, please contact vernonleeintermediality@gmail.com

Programme

DAY 1: September 18

9:00: Welcome

9:30 – 12:00: Panel One: Aesthetic debates and intellectual exchanges || Débats esthétiques et échanges intellectuels

            Eduardo De Maio (University of York), “Violet Paget and Telemaco Signorini: mutual friendship and promotion in Florence at the fin de siècle

            Claire McKeown & Kerstin Wiedemann (Université de Lorraine), “Vernon Lee et Irene Forbes Mosse : un dialogue épistolaire autour des arts et la modernité”

            Michel Prum (Université Paris Cité), “Vernon Lee and the Darwinian Legacy”

Ingrid Hanson (University of Manchester), “Satan the Waster, Metastasio and Patriotism’s ‘great symphonies’”

Ruth Thrush (University of Oxford), title tba — dealing with The Ballet of the Nations

12:00 – 14:00: Lunch Break

14:00 – 15:00: Keynote by Catherine Maxwell (Manchester University):Preserving the Renaissance: Vernon Lee’s ‘A Wedding Chest’”

15:30—17:30: Panel Two: Intermedial practices || Pratiques intermédiales

            Michele Brugnetti (Sapienza University), “Hearts and Brushstrokes: The Legacy of Pre-Raphaelite Art in Oke of Okehurst and the Morris-Rossetti-Jane Triangle”

            Hal Gladfelder (University of Manchester), “‘Curious’: Vernon Lee and John Singer Sargent in the Music Archives”

            Stefanie John (Technische Universität Braunschweig), “Lee’s Tapestries: Textiles as Vibrant Matter in ‘Prince Alberic and the Snake Lady’”

Elizabeth Howard (University of Oregon), “Queer Aesthetic Experience in Vernon Lee’s ‘Prince Alberic and the Snake Lady’”

DAY 2: September 19

9:00—10:30: Panel Three: Re-readings and re-writings || Relectures et réécritures

            Zaynub Zaman (University of Manchester), “‘I found myself in the forest, drawn to its heart and its mysteries’:  representations of infernal anxieties in Dante’s Inferno, D.G. Rossetti’s How They Met Themselves (1864) and Vernon Lee’s The Enchanted Woods

            Nicole Fluhr (Southern Connecticut State University), “’There is a legend about her’: (a)e(s)th(et)ics and representation in Vernon Lee’s ‘The Legend of Madame Krasinska’”

            Patricia Pulham (University of Surrey), “Madonnas and Venuses: Emotion and Eroticism in Vernon Lee’s Queer Aestheticism”

10:30: break

11:00 – 12:00: Keynote by Sophie Geoffroy (Université de la Réunion), “La correspondance de Vernon Lee : genèse et hybridation intermédiale d’une œuvre européenne”/ Vernon Lee’s Letters: genesis and intermedial hybridization of a European oeuvre

12:00 – 14:00: Lunch Break

14:00 – 16:00: Panel Four: Aesthetic Theories || Théories esthétiques

            Orsolya Albert (KU Leuven), “TheClassical Conception of Beauty and Mens Sana in Corpore Sano in Vernon Lee’s Philosophy of Art”

            Thomas Albrecht (Tulane University), “Vernon Lee’s Aesthetics of Empathy: ‘The Legend of Madame Krasinska’ and ‘The Doll’”

            Andrew Smith (University of Sheffield), “Empathy and aesthetics: Gothic misreading”

            Stéphanie Tonnel (independent researcher), “Intermedial dialogue: the text-image relationship through Hauntings’ female characters”

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Vernon Lee on Tariffs and Protectionism

Vernon Lee to Clementina Anstruther Thomson, Venice, October 16, 1903

I am following this Chamberlain’s fiscal business with deep & painful interest. To me it is simply the 3d act of the policy of jingoism, of “Imperialism” –…. grabbingness of which the war was the first. It conceives of trade & industry as a fight with one’s neighbour, or even worse, a game of brag. The worst of it is not even the taxation of the poor, but the policy of bad feeling, covert hostility & colossal militarism which it will involve, let alone the political corruption which all artificial monopolies must bring with them. How I wish I were a political pamphleteer! (to CAT, Venice, October 16, 1903)

Lettre à Augustine Bulteau, Florence, 12 Juin 1903

Si vous saviez combien, et combien douloureusement depuis notre stupide guerre, je ressens le besoin de rapprochement moral entre les peuples. Sous ce rapport nous n’avons fait que baisser depuis l’avènement des démocraties et de la grande industrie ! Au dix-huitième siècle la haine nationale ne se cultivait pas encore (car j’imagine que c’est un produit artificiel, une très littérale fleur de rhétorique que fait éclore le journalisme et l’éducation à bon marché, les “lectures patriotiques ” pour enfants) on s’entr’égorgeait sans se mépriser. Souvenez-vous que Sterne a parcouru la France au beau milieu de la Guerre de Sept Ans. Et nous avons tous tellement besoin des denrées morales et intellectuelles que produisent nos voisins : voyez-vous comme toutes les grandes époques littéraires répondent à des inoculations, comme vous dîtes [dites], je dirais davantage, à des croisements de peuples : la France féconde l’Italie du Moyen Age, celle-ci féconde l’Angleterre au 16ème siècle, l’Angleterre de nouveau produit le mouvement philosophique de la France, le mouvement philosophique et littéraire de l’Allemagne au 18ème ; et l’Allemagne nous donne à tous les deux Coleridge, Byron, Hugo, Carlyle, tout ce qui sort de Kant et d’Hegel – Aujourd’hui au contraire l’industrie n’aboutit qu’au stupide protectionnisme dont nous sommes plus que menacés en Angleterre, et la facilité de voyage fait qu’on traîne les meubles et ses préjugés ! par toute l’Europe, revenant sans avoir, le plus souvent, échangé un mot avec un étranger. Vous savez, Toche, il me semble que le moment est venu pour les peuples où il faudrait commencer à se servir un peu de son intelligence : la dérive complète, l’égoïsme bête érigé en principe, a vraiment fait son temps… (lettre à Augustine Bulteau, Igno, 12 juin 1903)

Vernon Lee, letter to Augustine Bulteau, June 12, 1903

If you knew how much, and how painfully since our stupid war, I’ve felt the need for a moral rapprochement between peoples ! Regarding that, we have only declined since the advent of democracies and big industry ! In the eighteenth century national hatred was not yet cultivated (for I imagine it is an artificial product, very literally a flower of rhetoric made to flourish by cheap journalism and education, and children’s “patriotic readings”), people would cut each other’s throats but never despise one another. Remember that Sterne travelled across France in the midst of the Seven Years’ War. And we all need the moral and intellectual goods produced by our neighbours so much : see how all the great literary eras result from inoculations, as you say, I would say interbreeding of peoples : France fertilises mediaeval Italy, which fertilises 16th century England, England in its turn produces the French philosophical movement and the German philosophical and literary movement in the 18th century ; and Germany offers both of us Coleridge, Byron, Hugo, Carlyle, everything issuing from Kant and Hegel. Today on the contrary, industry only produces stupid protectionism, which more than threatens us in England, and thanks to easy travelling conditions we drag our furniture and prejudices across Europe, and come back home, most often, without exchanging a single word with foreigners! You know, Toche, it seems to me the time has come for the peoples to use their intelligence a little: that complete drift, that stupid selfishness considered as a principle, are certainly outdated… (to Augustine Bulteau, June 12, 1903)

No comment…

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Vernon Lee’s Hauntings Translated in Turkish by Eda Çalğar

We are delighted to announce Eda Çalğar’s Turkish translation of Vernon Lee’s  collection of fantastic stories Hauntings :  ‘Hayalet Öyküleri ve Diğer Doğaüstü Anlatılar’ . “It is the first translation of Lee into Turkish and is with a very prestigious press” (Sally Blackburn-Daniels).

The link to purchase on Amazon is here https://www.amazon.co.uk/Hayalet-%C3%96yk%C3%BCleri-Di%C4%9Fer-Do%C4%9Fa%C3%BCst%C3%BC-Anlat%C4%B1lar/dp/9751047242/ref=sr_1_1?crid=2662BFZQNH1R2&dib=eyJ2IjoiMSJ9.nO4KM-QURX7hgzzo8VbQcA.QswR4yCgybo5y5JvsqSpQ_pTnDzXY81XVBL9psaEH3g&dib_tag=se&keywords=Hayalet+%C3%96yk%C3%BCleri+ve+Di%C4%9Fer+Do%C4%9Fa%C3%BCst%C3%BC+Anlat%C4%B1lar&qid=1742212005&sprefix=hayalet+%C3%B6yk%C3%BCleri+ve+di%C4%9Fer+do%C4%9Fa%C3%BCst%C3%BC+anlat%C4%B1lar%2Caps%2C63&sr=8-1

Such important news from Turkey is particularly invigorating at the moment. Thanks, Sally and congratulations, Eda!

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Associazione Culturale Il Palmerino: Hommage à Vernon Lee

Chers amis de Vernon Lee,

nos amis de l’Association Culturelle Il Palmerino annoncent un événement littéraire et musical en hommage à Vernon Lee susceptible de vous intéresser. Heureux ceux qui pourront s’y rendre! Merci infiniment de nous faire parvenir vos informations, chers amis de Florence!

Gentilissimi Soci e Amici

siamo felici di poter condividere questo evento che ci vede coinvolti nella giornata domenica 23 Marzo alle 16.30 con una presentazione dedicata a Vernon Lee per ricordarla a novantanni dalla sua scomparsa con un omaggio musicale e letterario tratto dalle sue pubblicazioni legate alla musica. Gli eventi organizzati da Gli Amici degli Allori e coordinati da Beth Vermeer, si svolgono presso l’oratorio de’ Neri in via S. Giuseppe  tra 8 nero e il 4 rosso a Firenze.

Oggi inaugura alle 17 questo ciclo di incontri volti a promuovere una mostra d’arte, realizzata in forma di asta silente, per raccogliere fondi che saranno dedicati al restauro di alcuni monumenti funebri nel Cimitero degli Allori di Firenze.

Sperando di vedervi in quella e nelle altre occasioni di questa manifestazione vi salutiamo cordialmente.

Dear Members and Friends,

we are happy to be able to share this event on 23 March Sunday at 4.30 p.m. with a presentation dedicated to Vernon Lee, to remember her ninety years after her death with a musical and literary tribute from her music-related publications. The events, organised by Amici degli Allori and coordinated by Beth Vermeer are taking place at the Oratorio de’ Neri in Via S. Giuseppe between 8 Black and 4 Red in Florence.

Today, at 5 p.m., this series of meetings opens with the aim of promoting an art exhibition, realised in the form of a silent auction, to raise funds that will be dedicated to the restoration of some funerary monuments in the Cimitero degli Allori in Florence.

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In memoriam: Walter Pater – 30 July 1894

Marie-Thérèse Blanc (“Th. Bentzon”)

October 5, 1894

Florence, Italy

Bibliothèque Nationale de France, Manuscrits, Paris

Il Palmerino

Maiano

Florence

Ce 5 Octobre [Today October 5]

My dear Madame Blanc,

much to write something about my friend (& master in many ways) Walter Pater. He was never thoroughly appreciated in England (so much so that owing to his very early & immature book, the Renaissance, he passed as a sort of immoral aesthete) and the silence which has followed on his death shocks me terribly. I am sure the French would appreciate this most exquisite artist and delicate, austere moralist: the young men whom Desjardins and Vogüe appeal to would learn so much from Marius the Epicurian & the lovely book on Plato, by the whole evolution of this soul from love of the materially beautiful to longing for the morally sound pure and harmonious. Do write about him, will you? I have a whole list of passages & quotations I could send you.

Enrico Nencioni 

October 5, [1894] 

Florence, Italy

Biblioteca Marucelliana , Carteggio Nencioni I 12.1-5_12 & 12.1-5_13

Envelope: Prof. Enrico Nencioni/17 Via delle Caldaie/Città 

[The original of this letter is in Italian]

Il Palmerino, Maiano, Florence. 

5 Ottobre 

Caro Nencioni, 

Che fa? Desidero tanto vederla. Non potrebbe venire giù a collazione o a pranzo (ora che le sere sono giornate sono sempre lunghe e i tram numerosi) — Il 10 deve arrivare D. Laura Gropallo, e so ch’ essa gradisce ogni occasione di trovarla. Senta caro Nencioni, desidero proprio che faccia un bellissimo articolo sul mio povero e illustre amico Pater. Credo che certi suoi scritti, Marius the Epicurean, ed il suo bellissimo ultimo studio su Platone farebbero un monte di bene ai giovani italiani. Che contravveleno ad un d’Annunzio, per esempio, non sarebbe la carriera spirituale, direi quasi il Pilgrim’s Progress, del Pater, cominciato col principiando dal morboso esteticismo [sic] del Swinburniano, i e appurandosi man mano nell’altissimo esteticismo [sic] morale di Platone; questo passo sviluppo del senso della bellezza finchè si estenda alle cose dello spirito, e riconosca nella bellezza fisica il simbolo organico del rigore, della pulizia morale, dell’armonia in tutto l’uomo! –  

Ci pensi, caro Nencioni. 

Sua dev. 

V. Paget 

45. [Enrico Nencioni 

October 5, [1894] 

Florence, Italy 

Biblioteca Marucelliana , Carteggio Nencioni I 12.1-5_12 & 12.1-5_13 

Envelope: Prof. Enrico Nencioni/17 Via delle Caldaie/Città 

[The original of this letter is in Italian]

Il Palmerino, Maiano, Florence. 

October 5 

Dear Nencioni, 

What are you doing? I want so much to see you. Couldn’t you come down for breakfast or dinner (now that the evenings the days are getting longer and the trams more numerous) – Lady Laura Gropallo ought to arrive on the 10th and I know that she enjoys every occasion to see you. Listen, dear Nencioni, I really want you to write an excellent article on my poor and illustrious friend Pater. I believe that certain of his works, Marius the Epicurean, and his latest excellent study of Plato would do a world of good for young Italians. What an antidote to a d’Annunzio, for example, would be the spiritual career, I would say almost the Pilgrim’s Progress, of Pater, beginning with starting from Swinburne’s unhealthy aestheticism the and clearing up bit by bit in the highest moral aestheticism of Plato; this step development of the sense of beauty until it extends to spiritual things, and recognizes in physical beauty the organic symbol of rigour, of moral cleanliness, of the harmony in the entire man! – 

Think about it, dear Nencioni. 

Your devoted, 

V. Paget]

Marie-Thérèse Blanc (“Th. Bentzon”)

October 14, [1894]

Florence, Italy

Bibliothèque Nationale de France, Manuscrits, Paris

Il Palmerino

Maiano

Florence

14th October (my birthday, alas being 38 years old)

[1893]

Very dear Madame Blanc – I cannot tell you how much yr proposal of my writing about  Pater has touched me; now is it you who always think of others?

Alas, although I did want two months ago, to write about my illustrious friend, and although the idea of doing so is still a very great temptation, I feel I must not. I have got fairly well after my illness of this summer, but I find that a very little work tires me; and a paper on Pater would take my very best energies, which alas, I have not got at my beck & call, particularly at present? Will you tell Monsieur Brunetière, with my compliments, that he has made me very proud; but alas, I also require to be made very well!

I am sending you, dear friend, a list of pages in Pater, because I do want you to write something about him.

Marie-Thérèse Blanc (“Th. Bentzon”)

November 7, 1895

Florence, Italy

Bibliothèque Nationale de France, Manuscrits, Paris

arrange trains Il Palmerino

Maiano

Florence

7 Nov. 1895

My dear Mme Blanc,

… I am publishing a new book on Renaissance things: you shall have it. It contains a few pages on dear Mr Pater. But they are such as only Readers of his work would understand.I am publishing a new book on Renaissance things: you shall have it. It contains a few pages on dear Mr Pater. But they are such as only Readers of his work would understand.I am publishing a new book on Renaissance things: you shall have it. It contains a few pages on dear Mr Pater. But they are such as only Readers of his work would understand.

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What can we expect? After 5 November 2024

“Much of the world’s big mischief is due to the avoidance of a bigger one.

For instance, all this naïvely insisted on masculine inability to obtain the poet’s or naturalist’s joys without shooting a bird or hooking a fish, this inability to love wild life, early hours and wholesome fatigue unless accompanied by a waste of life and of money;

in short, all this incapacity for being manly without being destructive, is largely due among us Anglo-Saxons to the bringing up of boys as mere playground dunces, for fear (as we are told by parents and schoolmasters) that the future citizens of England should take to evil communications and worse manners if they did not play and talk cricket and football at every available moment.

For what can you expect but that manly innocence which has been preserved at the expense of every higher taste should grow up into manly virtue unable to maintain itself save by hunting and fishing, shooting and horse-racing;

expensive amusements requiring, in their turn, a further sacrifice of all capacities for innocent, noble and inexpensive interests,

in the absorbing, sometimes stultifying, often debasing processes of making money?

Vernon Lee
Laurus Nobilis: Chapters on Art and Life, 1909, p. 309

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On this day, 90 years ago, Vernon Lee passed away

On this day, February 13, 1935, Vernon Lee’s close friend Mabel Price wrote from 49, Banbury Road, Oxford to her close French friend Berthe Noufflard, 61 rue de Varenne, Paris:

Oxford Feb 13.

it is all over –this morning.
Will you let Mrs Duclaux know
Mbl

The original letter is available at https://eman-archives.org/HoL/items/show/1862

Vernon Lee now Rests in Peace, but her memory and her work live on thanks to the Associazione Culturale Il Palmerino, who keeps Lee’s vibrant heritage alive and develops artistic and cultural activities which she would have loved, and thanks to all the students, scholars and readers, members of a community of kindred spirits around the world.

As this year marks the 90th anniversary of Vernon Lee’s passing, the Associazione Culturale Il Palmerino will go at 10:30 a.m. to the Cimitero degli Allori via senese 180, where she is buried, inviting those who are interested to come and wanting to bring a small excerpt from her essays or stories to read there extemporaneously as a tribute to her memory. For more information, contact associazione@palmerino.it and visit https://www.palmerino.org/

Long Live Lee!

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