Bibliography

Bibliography

This bibliography is a work in progress, which can and will be completed thanks to our readers’ information and suggestions.

I.  Primary Texts by Vernon Lee

i.  Correspondence

Cooper Willis, Irene (ed.). Vernon Lee’s Letters. London: Privately Printed, 1937.

Gagel, Amanda. Selected Letters of Vernon Lee (1856-1935). PhD Dissertation. Boston University, Graduate School of Arts and Sciences. 2008.

Gagel, Amanda and Sophie Geoffroy. The Selected Letters of Vernon Lee, 1856-1935. 3 Vols. London: Pickering & Chatto, 2015-2017. Contains unpublished letters by Vernon Lee, some of them translated for the first time into English by Crystal Hall (Italian-English) ; Sophie Geoffroy (French-English); Christa Zorn (German-English). In 3 volumes : Vol. I : 1866-1886 ; Vol. II : 1887-1899 ; Vol. III : 1900-1935. http://www.pickeringchatto.com

Sieberg, Herward and Christa Zorn (eds.). Foreword by Phyllis Mannocchi. The Anglo-German Correspondence of Vernon Lee and Irene Forbes-Mosse during World War I ; Women Writers’ Friendship Transcending Enemy Lines. Lewiston : Edwin Mellen Press, 2014. . 464 pp.

ii.  Theatre

Lee, Vernon. The Prince of the Hundred Soups. London: T. Fisher Unwin, 1883.

Lee, Vernon. Ariadne in Mantua: A Romance in 5 Acts. Oxford: Basil Blackwell, 1903.

iii.   Fiction

a. Books

Lee, Vernon. Tuscan Fairy Tales (Taken Down from the Mouths of the People). London: W. Satchell, 1880. (Published anonymously.)

Lee, Vernon. Ottilie: an Eighteenth Century Idyll. London: T. Fisher Unwin, 1883.

Lee, Vernon. The Countess of Albany. London: W. H. Allen, 1884.

Lee, Vernon. Miss Brown. 3 vols. Edinburgh: Blackwood, 1884.

Lee, Vernon. A Phantom Lover: A Fantastic Story. Edinburgh: Blackwood, 1886; Boston: Robert Brothers, 1886; Rpt., unaltered, as “Oke of Okehurst” in Hauntings.

Lee, Vernon. Hauntings: Fantastic Stories. 1889. London: Heinemann, 1890. Bodley Head, 1906.

Lee, Vernon. Vanitas: Polite Stories. London: Heinemann, 1892. New York: Lovell Coryell, ca. 1892.

Lee, Vernon. Penelope Brandling: A Tale of the Welsh Coast. London: T. Fisher Unwin, 1903.

Lee, Vernon. Pope Jacynth and Other Fantastic Tales. London: Grant Richards, 1904. New York: John Lane, 1907.

Lee, Vernon. Sister Benvenuta and the Christ Child: an Eighteenth Century Legend. New York: Mitchell Kennerly, 1905. London: Grant Richards, 1906.

Lee, Vernon. Louis Norbert: A Two-Fold Romance. London: John Lane, The Bodley Head, 1914. Leipzig : B. Tauchnitz, 1920

Lee, Vernon. For Maurice: Five Unlikely Stories. London: John Lane, The Bodley Head, 1927. (Includes “Tanhaüser and the Gods”, “Marsyas in Flanders”, “The Virgin of the Seven Daggers”, “The Doll”, “Winthrop’s Adventure”).

A Vernon Lee Anthology. London: John Lane, 1929.

Lee, Vernon. The Snake Lady and Other Stories. Introd. by Horace Gregory (ed.). New York: Grove Press, 1954.

Lee, Vernon. Supernatural Tales: Excursions into Fantasy. London: Peter Owen, 1955.

Lee, Vernon. Pope Jacynth, and More Supernatural Tales. London: Peter Owen, 1956.

b.  Individual stories and texts

Lee, Vernon. « Tuscan Peasant Plays ». Fraser’s Magazine. February 1877.
Lee, Vernon. « Amour Dure ». Hauntings : Fantastic Stories (1890). London : John Lane, The Bodley Head, 1906. Rpt. in Supernatural Tales. Cooper Willis, Irene (ed.). London : Peter Owen, 1987.

Lee, Vernon. « Dionea ». Hauntings : Fantastic Stories (1890). London : John Lane, The Bodley Head, 1906.

Lee, Vernon. « Oke of Okehurst » (or « The Phantom Lover »). Hauntings : Fantastic Stories (1890). London : John Lane, The Bodley Head, 1906.

Lee, Vernon. « A Wicked Voice ». Hauntings : Fantastic Stories (1890). London : John Lane, The Bodley Head, 1906. Rpt. in Supernatural Tales. Cooper Willis, Irene (ed.). London : Peter Owen, 1987.

Lee, Vernon. « Pictor Sacrilegus ». The Contemporary Review, 60 (1891): 188-206, 372-387. Reprinted in Renaissance Studies and Fancies. London: Smith, Elder, 1895.

Lee, Vernon. « Lady Tal ». Vanitas: Polite Stories. London: William Heinemann, 1892, 7-19. Rpt. In Showalter, Elaine (ed.). Daughters of Decadence: Women Writers of the Fin-de-siècle. London: Virago, 1993. 192-261.

Lee, Vernon. « A Frivolous Conversion ». Vanitas: Polite Stories. London: William Heinemann, 1892.

Lee, Vernon. « A Worldly Woman ». Vanitas: Polite Stories. London: William Heinemann, 1892.

Lee, Vernon. « The Legend of Madame Krasinska ». Vanitas: Polite Stories. London: William Heinemann, 1892. Rpt. in Supernatural Tales. Cooper Willis, Irene (ed.). London : Peter Owen, 1987.

Lee, Vernon. « Ravenna and her Ghosts ». Macmillan’s, 70 (1894): 380-389. Reprinted in the second edition of Limbo and Other Essays. London: Grant Richards, 1908.

Lee, Vernon. “Dionysus in the Euganean Hills. W. H. Pater In Memoriam ». The Contemporary Review 120 (September 1921): 346-53.

Lee, Vernon. « The Gods and Ritter Tanhûser ». For Maurice: Five Unlikely Stories. London: John Lane, The Bodley Head, 1927.

Lee, Vernon. « Marsyas in Flanders ». For Maurice: Five Unlikely Stories. London: John Lane, The Bodley Head, 1927.

Lee, Vernon. “The House with the Loop-Holes”. Life and Letters, Aug. 1930 : 69-84.

Lee, Vernon. “A Culture Ghost: Or, Winthrop’s Adventure.” In Fraser’s Magazine, January 1881:1-29; rpt. in Appleton’s Journal, N° 10 (1881): 330-45; Rpt. In For Maurice: Five Unlikely Stories. London: John Lane, the Bodley Head, 1927 (title: “Winthrop’s Adventure; an Eighteenth Century Singer”).

Lee, Vernon. “Voix maudite.” (Originally in French). In Les Lettres et les arts. Août 1887, 125-53. Rpt. In [Vernon Lee], Au pays de Vénus. Paris: Dentu, 1894.

Lee, Vernon. “The Virgin of the Seven Daggers ». In For Maurice: Five Unlikely Stories. London: John Lane, 1927. Rpt. in Supernatural Tales. Cooper Willis, Irene (ed.). London : Peter Owen, 1987.

Lee, Vernon. « The Doll » (1899). Rpt. For Maurice: Five Unlikely Stories. London : John Lane, the Bodley Head, 1927.

Lee, Vernon. “A Wicked Voice.” (Slightly different from the French version). In Hauntings: Fantastic Stories. London: Heinemann, 1890. 195-237. Rpt. Hauntings: Fantastic Stories. New York: Books for Libraries, 1971.

Lee, Vernon. “An Eighteenth-Century Singer, an Imaginary Portrait.” The Fortnightly Review 1 Dec. 1891: 842-80.

Lee, Vernon. “A Seeker of Pagan Perfection. Being the Life of Domenico Neroni, Pictor Sacrilegus.” The Contemporary Review 60 (1891): 188-206, 372-387. Rpt. in Renaissance Fancies and Studies. London: Smith, Elder, 1895; Rpt. in The Snake Lady and Other Stories. Horace Gregory (ed.), 1956.

Lee, Vernon. “Ravenna and her Ghosts”. Macmillan’s, 70 (1894): 380-89. Rpt. In the 2nd ed. of Limbo and Other Essays. London: Grant Richards, 1908.

Lee, Vernon. “Prince Alberic and the Snake Lady”. The Yellow Book X, July 1896, 289-344. Rpt. In Pope Jacynth (1904). Leipzig : B. Tauchnitz, 1906. Rpt. in Supernatural Tales. Cooper Willis, Irene (ed.). London : Peter Owen, 1987.

Lee, Vernon. « Pope Jayncth ». In Pope Jacynth (1904). Leipzig : B. Tauchnitz, 1906.

Lee, Vernon. « A Wedding Chest ». In Pope Jacynth (1904). Leipzig : B. Tauchnitz, 1906. Rpt. in Supernatural Tales. Cooper Willis, Irene (ed.). London : Peter Owen, 1987.

Lee, Vernon. « St Eudaemon and his Orange-Tree ». In Pope Jacynth (1904). Leipzig : B. Tauchnitz, 1906.

Lee, Vernon. « The Featureless Wisdom ». In Pope Jacynth (1904). Leipzig : B. Tauchnitz, 1906.

Lee, Vernon. « Ariadne in Mantua ». In Pope Jacynth (1904). Leipzig : B. Tauchnitz, 1906.

Lee, Vernon. “Schwester Benvenuta und das Christkind. Eine Klostergeschichte aus dem 18. Jahrhunderdt”. Deutsche Rundschau. Julius Rodenberg ed. Gebrüder Paetel, Berlin. 125 Band. Oktober-Dezember 1905, pp. 448-472.

Lee, Vernon. “Das Kruzifix in der Kirche zu Dunes.” Deutsche Rundschau. Julius Rodenberg ed. Gebrüder Paetel, Berlin. 138 Band. Januar-März 1909, pp. 129-139.

Lee, Vernon. “The Virgin of the Seven Daggers.” The English Review. January-February 1909. Rpt. in For Maurice: Five Unlikely Stories. London : John Lane, the Bodley Head, 1927.

Lee, Vernon. “Out of Venice at Last”. The Westminster Gazette 1 June 1910.

Lee, Vernon. “The House with the Loop-Holes”. Life and Letters. Aug. 1930.

Lee, Vernon. “The Handling of Words: A Page of Walter Pater”. Life and Letters. 9: 50 (Sept-Nov 1933): 287-310.

« A Picture of The Nativity by Fra Filippo Lippi, as Explained by a Pious Florentine Gossip of his Day ».
Original text accessible online : http://www.readbookonline.net/readOnLine/6133/

iv.  Non fiction

a. Books

Lee, Vernon. Studies of the Eighteenth Century in Italy. London: W. Satchel, 1880. (2nd ed. 1887). Rpt. London: T. Fisher Unwin, 1907. Rpt. New York : Da Capo Press, 1978.

Lee, Vernon. Belcaro: Being Essays on Sundry Aesthetical Questions. London: W. Satchell, 1881. Rpt. London: T. Fisher Unwin, 1887.

Lee, Vernon. Euphorion: Being Studies of the Antique and the Medieval in the Renaissance. London: T. Fisher Unwin, 1884.

Lee, Vernon. Baldwin. London: T. Fisher Unwin, 1886.

Lee, Vernon. Juvenilia. London: T. Fisher Unwin, 1887.

Lee, Vernon. Althea: A Second Book of Dialogues on Aspirations and Duties. London: Osgood, McIlvaine, 1894. [Includes “Orpheus in Rome]

Lee, Vernon. Renaissance Fancies and Studies. London: Smith, Elder & Co., 1895.

Lee, Vernon. Limbo and Other Essays. London: Grant Richards, 1897.

Lee, Vernon. Genius Loci: Notes on Places. London: Grant Richards, 1899.

Lee, Vernon. Hortus Vitae: Essays on the Gardening of Life. London: Bodley Head, 1904.

Lee, Vernon. Hortus Vitae and Limbo. Leipzig : B. Tauchnitz, 1907.

Lee, Vernon. The Enchanted Woods and Other Essays. London: John Lane, 1905.

Lee, Vernon. The Spirit of Rome: Leaves from a Diary. London: John Lane, 1906.

Lee, Vernon. Genius Loci and the Enchanted Woods. Leipzig : B. Tauchnitz, 1906.

Lee, Vernon. The Sentimental Traveller. London: John Lane, 1908.

Lee, Vernon. Gospels of Anarchy and Other Contemporary Studies. London : T. Fisher Unwin, 1908. [Includes “The Deterioration of the Soul”, “The Economic Parasitism of Women”]

Lee, Vernon. Limbo and Other Essays, to Which is Now Added Ariadne in Mantua. London: Bodley Head, 1908.

Lee, Vernon. Laurus Nobilis: Chapters on Art and Life. London: Bodley Head, 1909. [Includes “The Use of Beauty”, “Beauty and Sanity”]

Lee, Vernon. The Spirit of Rome and Laurus Nobilis. (1906). Leipzig : B. Tauchnitz, 1910.

Lee, Vernon. Vital Lies: Studies of Some Varieties of Recent Obscurantism. London: John Lane, 1912.

Lee, Vernon and Clementina Anstruther-Thomson. Beauty and Ugliness. London: John Lane, 1912.

Lee, Vernon. The Beautiful; A Introduction to Psychological Aesthetics. Cambridge: Cambridge University Press, 1913.

Lee, Vernon. The Tower of the Mirrors and Other Essays on the Spirit of Places. London: John Lane, 1914. Rpt. Leipzig : B. Tauchnitz, 1922.

Lee, Vernon. The Ballet of the Nations: a Present-Day Morality. London: Chatto & Windus, 1915. New York: Putnam, 1915 (included and rewritten in Satan the Waster).

Lee, Vernon. Peace with Honour: Controversial Notes on the Settlement. London: Union of Democratic Control, 1915.

Lee, Vernon. Satan the Waster: a Philosophic War Trilogy with Notes and Introduction. London: John Lane, 1920. Rpt. With preface added in 1930.

Lee, Vernon. The Handling of Words and other Studies in Literary Psychology. London: John Lane, 1923. Rpt. Lincoln: University of Nebraska Press, 1968 (with an introduction by Royal A. Gettmann).

Lee, Vernon. The Handling of Words and other Studies in Literary Psychology. D. Seed ed. & intr. Lewiston: Edward Mellen Press, 1992.

Lee, Vernon (ed.) Art and Man: Essays & Fragments, by Clementina Anstruther-Thomson. Introduction by Vernon Lee. London: John Lane, 1924; Freeport, NY: Books for Libraries Press. 1924. Reprinted 1969.

Lee, Vernon. The Golden Key. London: John Lane, 1925. Rpt. Leipzig : B. Tauchnitz, 1925.

Lee, Vernon. Proteus: Or the Future of Intelligence. London: Kegan Paul, Trench, Trübner & Co., 1925.

Lee, Vernon. The Poet’s Eye. Notes on Some Differences Between Verse and Prose. London: Hogarth Press, 1926.

Lee, Vernon and Kit Anstruther-Thomson. Music and Its Lovers: An Empirical Study of Emotional and Imaginative Responses to Music.  London: G. Allen & Unwin, 1932.

b. Articles and book chapters

Lee, Vernon. “Musical expression and the Composers of the 18th Century ». New Quarterly Magazine, April 1877.

Lee, Vernon. « The Artistic Dualism of the Renaissance ». The Contemporary Review (Septembre 1879) : 44-65.

Lee, Vernon. “The Art of Singing, Past and Present ». British Quarterly Review. Oct. 1880.

Lee, Vernon. “Botticelli at the Villa Lemmi”. The Cornhill Magazine. July-Dec. 1882.

Lee, Vernon. “The Responsibilities of Unbelief: A Conversation between Three Rationalists”. The Contemporary Review 43 (May 1883): 685-710.

Lee, Vernon. Review of Giosuè Carducci, Lettere disperse ed inedite di Pietro Metastasio, vol. I (Bologne, Zanichelli). The Academy n° 602, (Nov. 17, 1883): 331.

Lee, Vernon. “The Immortality of the Maestro Galuppi ». Chap. 1 in Juvenilia, vol. II, 1887.

Lee, Vernon. “Orpheus in Rome: Irrelevant Talks on the Use of the Beautiful.” The Contemporary Review. June 1889: 828-49.

Lee, Vernon. “Emerson, Transcendentalists and Utilitarians”. The Contemporary Review, LXVII (March 1895), 345-420.

Lee, Vernon. « Cosmopolis » 1896. Rpt. 1904. Accessible online : http://www.oldandsold.com/articles34/lorenzo-lotto-4.shtml

Lee, Vernon. “The Need to Believe: an Agnostic’s Notes on Professor Wm. James ». The Fortnightly Review, LXXII (n. s. LXVI), Nov. 1899, 827-42.

Lee, Vernon. “Le rôle de l’élément moteur dans la perception esthétique visuelle.” MS essay. 1901.

Vernon Lee and C. Anstruther-Thomson “Michelangelo’s Medicean Tombs”. Architectural Review. (16, no. 94, Septembre 1904), 101-110.

Lee, Vernon. « Introduction to The Life of St Mary Magdalen ». transl. from the Italian of an unknown XIVth century writer by Valentina Hawtrey. John Lane, 1904.

Lee, Vernon. “The Riddle of Music.” The Quarterly Review 204 (Jan. 1906): 207-27. A scholarly review of: The Power of Sound by Edmund Gurney (London: Smith & Elder, 1880); Vom Musikalisch Shönen by Eduard Hanslick (9th ed. Leipzig: Barth, 1896); Essai sur l’esprit musical by Lionel Dauriac (Paris: Alcan, 1904); Les rapports de la musique et de la poésie by Jules Combarieu (Paris: Alcan, 1894); Die Musik als Ausdruck by Friedrich von Hausegger (Munich, 1887); La logique des sentiments by Théodule Ribot (Paris: Alcan, 1905); Grundegung der Aesthetick by Theodor Lipps (Hamburg: Voss, 1903).

Lee, Vernon. “Beauty and Sanity ». Laurus Nobilis: Chapters on Art and Life. London: Bodley Head, 1909.

Lee, Vernon. “The Religious and Moral Status of Wagner ». The Fortnightly Review. New Series, 89, Jan-June 1911, pp. 868-885.

Lee, Vernon. « The Ethics of Glass Houses ». The Nation (1912).

Lee, Vernon. “Vicarious Tragedy”. The Nation XI (29 June 1912): 466-7.

Lee, Vernon. “Angels Fear to Tread”. The Nation XI (7 September 1912): 828-9.

Lee, Vernon. “The Sense of Nationality”. The Nation XII (12 October 1912): 96-8.

Lee, Vernon. « Lessons of History ». The Nation (1913).

Lee, Vernon. “Ein neuer Schweizer Roman”. Literarische Rundschau, 1913, pp. 471-473. Review of Waser, Maria. Die Geschichte der Anna Waser. Ein Roman aus der Wende des 17. Jahrhunderdts. Stuttgart, Berlin: Deutsche Verlags-Anstalt, 1913.

Lee, Vernon. “The Policy of the Allies”. The Nation XVI (2 February 1915): 649-50.

Lee, Vernon. “Bismarck Towers”. The New Statesman IV (20 February 1915): 481-3.

Lee, Vernon. “Militarists against Militarism”. Labour Leader XII, no. 13 (1 April 1915): 3.

Lee, Vernon. “May Day Messages for British Women”. Labour Leader XII, no. 17 (29 April 1915): 5.

Lee, Vernon. “Après la Mêlée”. The New Statesman V (19 June 1915): 249-51.

Lee, Vernon. “The Wish for Unanimity and the Willingness for War, France-Italy, 1911-13”. [written before August 1914]. The Cambridge Magazine IV (12 June 1915): 482, 484.

Lee, Vernon. “War the Grave of All Good”. Labour Leader XII, no. 43 (28 October 1915): 3.
Lee, Vernon. “Enmity”. War and Peace III, no. 25 (October 1915): 11-12.

Lee, Vernon. “The Heart of a Neutral”. The Atlantic Monthly CXVI (November 1915): 687.

Lee, Vernon. “Letter to the Editor”. The Nation XV (22 August 1914): 766-7.

Lee, Vernon. “Introduction”. Mnemic Psychology. By Richard Semon. Transl. from the German by Bella Duffy. New York: Macmillan, 1923. 11-53. Rpt. London; Allen and Unwin, 1923.

Lee, Vernon. “Introduction”. Art and Man: Essays and Fragments. By Clementina Anstruther-Thomson. London: John Lane, The Bodley Head, 1924.

Lee, Vernon. “John Singer Sargent: In Memoriam.” In Evan Charteris (ed.). John Singer Sargent. London: Heinemann, 1927.

II.  Reception of Vernon Lee

i. Translations and critical editions

Translations into French/Traductions en français

« Le théâtre populaire en Toscane » [signé A. V. (V. Paget)]. S. l. n. d. Revue britannique, 9ème série, tome III.

« Orphée à Rome » [nouvelle]. S. l., 1895. Revue des Deux Mondes, 1er novembre 1895.

Lee, Vernon. Miss Brown. Translated by Robert de Cerisy. Paris: Calmann Lévy, 1889.

Lee, Vernon. Ariane à Mantoue. Drame traduit de l’anglais par Mme A. Foulon de Vaulx et l’auteur. S. l. , 1910.

Lee, Vernon. Les mensonges vitaux : études sur quelques variétés de l’obscurantisme contemporain. Traduit de l’anglais par le Dr Eugène Bernard Leroy. Paris : F. Alcan, 1921. [Comprend : « Les deux pragmatismes ». « Qu’est-ce-que la vérité ? » « Les Vérités mystiques ». « Fruits pour la vie ». « Modernisme et volonté de croire ». « L’Apologétique anthropologique ». « Le Mythe syndicaliste ». « Vérités qui sont des malentendus ». « Adieux aux mensonges vitaux ». « Humanisme ».]

Lee, Vernon. Etudes et Réflexions sur l’Art. Choix et traduction de Berthe Noufflard. D’après Renaissance Fancies and Studies (1895). Paris : Corréâ, 1938.

Lee, Vernon. Les épées de l’effroi; histoires surnaturelles; le monde évanescent des ombres et des mystères abandonnés. Trad. par Michel Chrestien. Verviers: Marabout, “Fantastique, 363”, 1970.

Lee, Vernon. “Une voix maléfique.” Trad. par Michel Chrestien. In [Vernon Lee] Les épées de l’effroi; histoires surnaturelles ; le monde évanescent des ombres et des mystères abandonnés. Verviers: Marabout, “Fantastique, 363”, 1970.

Richter, Anne (ed.). Le Fantastique féminin, d’Anne Radcliffe à Patricia Highsmith. Verviers: André Gérard, Marabout, 1977. Rpt. Paris : Complexe, 1995. (Reprints “Une voix maléfique.” Translated by Michel Chrestien.)
Lee, Vernon. “La Vierge aux sept poignards.” Trad. par Michel Chestien. In [Vernon Lee] Les épées de l’effroi; histoires surnaturelles. Verviers: Marabout, “Fantastique, 363”, 1970.

Lee, Vernon. Alice Oke. Trad. par Michel Desforges. Toulouse : Ombres, 1990.

Lee, Vernon. La voix maudite ; trois nouvelles fantastiques de Vernon Lee. Sophie Geoffroy-Menoux (ed. and transl.), Rennes : Terre de Brume, 2001 [Includes : « La voix maudite », « Winthrop, fantaisie musicale », « La Vierge aux sept poignards », and a short story by Sophie Geoffroy-Menoux: « Poggio Bracciolini »].

« La poupée », Sophie Geoffroy-Menoux transl., in Le Visage vert. Paris, Joëlle Losfeld, 2001, pp. 70-81. From Vernon Lee, « The Doll » (1899); rpt. in For Maurice: Five Unlikely Stories. London: John Lane, 1927.

Antonio Vivarelli, portrait imaginaire d’un chanteur italien du XVIIIème siècle. Trad. par Michel Desforges.  Toulouse : Ombres, “Petite bibliothèque Ombres”, 1993.

« Winthrop, fantaisie musicale ». Trad par Sophie Geoffroy-Menoux. La voix maudite 2001; from Vernon Lee, “Winthrop’s Adventure, an Eighteenth Century Singer ». Fraser’s Magazine. January 1881.

“La Vierge aux sept poignards ». Trad par Sophie Geoffroy-Menoux. La voix maudite 2001; from Vernon Lee, “The Virgin of the Seven Daggers ». In For Maurice: Five Unlikely Stories. London: John Lane, 1927.

Translations into Italian

Il Settecento in Italia : letteratura, teatro, musica ; studii di Vernon Lee. Milano : Fratelli Dumolard, 1881. 2 vol.

Il parassitismo della donna by Vernon Lee. Traduzione autorizzata di Carolina Pironti. Città di Castello : S. Lapi, 1912.

Il Settecento in Italia : accademie, musica, teatro by Vernon Lee. Traduzione dall’ultima edizione inglese di Margherita Farina-Cini. Napoli : R. Ricciardi, 1932.

Possessioni : tre storie improbabili by Vernon Lee. Traduzione e nota di Attilio Brilli .Palermo : Sellerio, [1982].

Il sangue e la rosa : storie di vampiri by Vernon Lee, Horacio Quiroga, Bram Stoker e altri. A cura di Claudio De Nardi. Trento : Reverdito, [1988].

Ombre italiane : racconti by Vernon Lee. Traduzione di Arnaldo Ederle ; con uno scritto di Mario Praz. Parma : U. Guanda, [1988].

La vita musicale nell’Italia del Settecento by Vernon Lee. Introduzione di Armando Torno. Firenze : Passigli, [1994].

Arianna in Mantova. Severi, Rita (ed.). Verona: Edizioni Postumia-Cierre, 1996.

Arianna a Mantova by Vernon Lee. A cura di Enrico Groppali. Palermo : Sellerio, [1996].

L’avventura di Winthrop, La leggenda di madame Krasinska, Il cassone nunziale by Vernon Lee. Traduzione e cura di Sandro Melani. Bologna : Re Enzo, 2000.

Dionea e altre storie fantastiche by Vernon Lee. Con una nota di Attilio Brilli ; traduzione di Simonetta Neri. Palermo : Sellerio, 2001].

Ravenna e i suoi fantasmi : un racconto dimenticato di Vernon Lee e note sull’immagine e l’immaginario di una città. A cura di Eraldo Baldini e Sara Trevisan ; testi di Eraldo Baldini … [et al.]. Ravenna : Longo, [2005].

Gilman, Charlotte Stetson. La donna e l’economia sociale : studio delle relazioni economiche fra uomini e donne e della loro azione nell’evoluzione sociale / C. P. Stetson. Traduzione autorizzata di Carolina Pironti. Con proemio di Vernon Lee. Firenze : G. Barbèra, 1902.

Translations into German

Genius Loci: Ins Deutsche. Übertragen von Irene Forbes-Mosse (geb. Gräfin von Flemming). Jena; Leipzig: Eugen Diederichs, 1905.

ii.  Adaptations

Farinelli. Film by Gérard Corbiau, with Stefano Dionisi, 1994. Probably based on Lee’s “Wicked Voice” stories.

iii.  Modern collections and anthologies

Clute, John. “Vernon Lee.” Supernatural Fiction Writers. New York: Charles Scribner’s Sons, 1985. 329-35.

The Snake Lady, and Other Stories. New York: Grove Press, 1954. Republished, with somewhat different contents, as Supernatural Tales: Excursions into Fantasy. London: Peter Owen, 1955. This British edition was republished as The Virgin of the Seven Daggers. London: Transworld, 1962.

Pope Jacynth, and More Supernatural Tales. London: Peter Owen, 1956.

Ravenna and her Ghosts. London: Transworld, 1962.

Aesthetes and Decadents of the 1890’s: An Anthology of British Prose and Poetry. Beckson, Karl, ed. New York: Vintage, 1966.

Possessioni. Palermo: Sellerio editore, 1982. Translation into Italian; notes and a post face “Gli enigmi della duchessa” by Attilio Brilli. Contents: « Amour Dure »; « A Wicked Voice »; « The Doll »).

Il sangue e la rosa : storie di vampiri by Vernon Lee (“Marsyas in Flanders »), Horacio Quiroga, Bram Stoker e altri. A cura di Claudio De Nardi. Trento : Reverdito, 1988.

Supernatural Tales. With an introduction by Irene Cooper Willis, 1987.

Showalter, Elaine (ed.). Daughters of Decadence: Women Writers of the Fin-de-siècle. London: Virago, 1993.

Pulham, Patricia & Catherine Maxwell (eds.). Vernon Lee : Hauntings and Other Fantastic Tales. Broadview Press, 2005.
Ravenna e i suoi fantasmi : un racconto dimenticato di Vernon Lee e note sull’immagine e l’immaginario di una città. A cura di Eraldo Baldini e Sara Trevisan ; testi di Eraldo Baldini … [et al.]. Ravenna : Longo, 2005.

A Vernon Lee Anthology. Selections from the Earlier Works Made by Irene Cooper Willis. USA : Ardley Press, 2007. 224 pp.

In the Yule-Log Glow. Book 2. Illustrated edition. Ngims publishing, 2010. Contents include « A Picture of the Nativity by Fra Filippo Lippi » by Vernon Lee.

Yuen, Karen (ed.) Vernon Lee, Miss Brown (1884). In New Woman Fiction, 1881–1899. General Editor: de la L. Oulton, Carolyn W. Volume Editors: Brenda Ayres, Karen Yuen and Alexandra Warwick (Part I); Adrienne E Gavin, SueAnn Schatz and Vybarr Cregan-Reid (Part II); Andrew King, Paul March-Russell and Carolyn W de la L Oulton (Part III)
Part I: Volumes 1-3: 1136 pp., 2010
Part II: Volumes 4-6: 816 pp., 2010
Part III: Volumes 7-9: c. 1200 pp., 2011.

iv.  Contemporaneous Reception, Reviews of Vernon Lee’s Work

Beaunis, H. « Vernon Lee, Psychologie d’un écrivain sur l’art (Observation personnelle) ». In L’année psychologique. 1903 vol. 10. pp. 487-92.

Beaunis H., Binet Alfred, Bourdon B., Foucault Marcel, Larguier des Bancels J. « Vernon Lee, Essais d’esthétique empirique ». In L’année psychologique. 1905 vol. 12. pp. 664-66.

Cooper Willis, Irene. “Biographical Essay on Vernon Lee (unpublished)”. Vernon Lee Collection, Colby Library.

Duclaux, A. Mary F. Robinson. “In Casa Paget, A Retrospect. In Memoriam Eugène Lee-Hamilton”. Country Life (28 December 1907): 935-7.

France, Anatole. Le lys rouge. Paris : Calmann Lévy, 1894. (Refers to Vernon Lee).

Hennequin, Emile. Quelques écrivains français; Flaubert, Zola, Hugo, Goncourt, Huysmans… Paris : Perrin, 1890.

Janet, Pierre. De l’angoisse à l’extase. Études sur les croyances et les sentiments. Un délire religieux. La croyance. Tome I, Troisième partie : « Les troubles intellectuels dans le délire religieux ». Paris : Librairie Félix Alcan, 1926. Rpt. Paris: la Société Pierre Janet et le Laboratoire de psychologie pathologique de la Sorbonne avec le concours du CNRS, 1975, 432 pp. Janet cite Vernon Lee, Vital Lies.

MacCarthy, Desmond. “Out of the Limelight (Vernon Lee).” Humanities. London: MacGibbon & Kee, 1951.

MacCarthy, Desmond. Articles on Vernon Lee in The New Statesman. July 3, 1920; Feb. 10, 1923; March 28, 1925.

Monkhouse, Cosmo. « Miss Brown ». The Academy n° 3 (January 1885), pp. 6-7.
Pater, Walter. “Vernon Lee’s Juvenilia”. Pall Mall Gazette (5 August 1887): 5.

Preston, Harriet Waters. “Vernon Lee”. The Atlantic Monthly 55 (February 1885): 219-27.

Sharp, William. 1903. « Eugene Lee-Hamilton ». Selected Writings, Vol. 3, William Sharp. 321-348.

Smyth, Ethel. What Happened Next. London: Longmans, Green, 1940.

Waterlow, Sydney. « A Review of The Beautiful by Vernon Lee ». The International Journal of Ethics, vol. 24, N°. 4 (July 1914), pp. 459-63.

iv.  Critical studies and biographies: Vernon Lee and her circle

a.  Books

Adelson, Warren and Richard Ormond. Sargent’s Venice. Yale University Press, 2006. 224 p.

Bizzotto, Elisa. La mano e l’anima: il ritratto immaginario fin de siècle. Milan: Cisalpino, 2001. 128 pp.

Bräm, Emil Max. Die italienische Renaissance in dem englischen Geistesleben des 19. Jahrhunderdts im besondern bei John Ruskin, John Addington Symonds und Vernon Lee. Brugg: Buchdr. Effingerhof A.-G., 1932.

Cenni, Serena and Elisa Bizzotto, eds. Dalla stanza accanto: Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. (articles from the Vernon Lee Conference in Florence, 2005).

Colby, Vineta. The Singular Anomaly: Women Novelists of the Nineteenth Century. New York: New York University Press, 1970. [See “The Puritan Aesthete: Vernon Lee.” pp. 235-304].

Colby, Vineta. Vernon Lee : A Literary Biography. Charlottesville and London: University of Virginia Press, Victorian Lit. & Culture Series, 2003.

Dellamora, Richard (ed.). Victorian Sexual Dissidence. Chicago & London : University of Chicago Press, 1999.

Delyfer, Catherine et Bénédicte Coste (eds.). British Aestheticisms. Cahiers Victoriens et Edouardiens. Montpellier : Presses Universitaires de Montpellier, à paraître.

Demoor, Marysa (ed.). Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930. Houndmills, Basingstoke and New York: Palgrave Macmillan, 2004.

Denisoff, Dennis. Aestheticism and Sexual Parody: 1840-1940. Cambridge: Cambridge University Press, 2001.

Denisoff, Dennis. Sexual Visuality from Literature to Film, 1850-1950. London: Palgrave-Macmillan, 2004.

Dowling, Linda. Aestheticism and Decadence: A Selected Annotated Bibliography. New York: Garland Publishing, 1977.

Ehnenn, Jill. Women’s Literary Collaboration, Queerness and Late-Victorian Culture. Aldershot and Burlington, VT: Ashgate, 2008. (Includes a section on Lee’s work with Kit ; also mentions many of her other essays (like « On Writers and Readers », etc.).

Fraser, Hilary. The Victorians and Renaissance Italy. Oxford: Blackwell, 1992. [Voir l’analyse de V. Lee, Euphorion : being Studies of the Antique and the Mediaeval in the Renaissance, 1884 et de V. Lee, Renaissance Fancies and Studies : being a Sequel to Euphorion, 1895].

Gardner, Burdett. The Lesbian Imagination (Victorian Style); A Psychological and Critical Study of ‘Vernon Lee’. New York and London: Garland, 1987.

Gobbi, Grazia. The Florentine Villa: Architecture, History, Society. 2007. 223 pp. Refers to Vernon Lee’s villa at Maiano.

Gunn, Peter. Vernon Lee, Violet Paget, 1856-1935. London: Oxford University Press, 1964.

Heilmann, Ann (ed.). Feminist Forerunners: (New) Womanism and Feminism in the Early Twentieth Century. London: Pandora Press, 2003.

Kandola, Sondeep. Vernon Lee. Tavistock: Northcote House, “Writers and their Works” series, 2010.

Kane, Mary Patricia. Spurious Ghosts: the Fantastic Tales of Vernon Lee. Rome: Carocci, 2004.

Maxwell, Catherine and Patricia Pulham (eds). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006.

Maxwell, Catherine. Second Sight ; The Visionary Imagination in Late Victorian Literature. Manchester : Manchester University Press, 2009, 288 pp. Includes : « ‘An aching pulse of melodies’: Dante Gabriel Rossetti’s poetic magnetism » ; « Walter Pater’s ‘strange veil of sight’ » ; « Of Venus, vagueness, and vision: Vernon Lee, Eugene Lee-Hamilton, and ‘the spell of the fragment’ » ; « Theodore Watts-Dunton’s Aylwin and the reduplications of Romanticism » ; « Thomas Hardy’s poetry: ‘the intenser stare of the mind’ ».

O’Neill, Michael, Mark Sandy and Sarah Wootton (eds.). Venice and the Cultural Imagination: ‘This Strange Dream upon the Water’. Features « Vernon Lee’s Venice of the Imagination » by Patricia Pulham.

Pfister, Manfred and Barbara Schaff (eds.). Venetian Views, Venetian Blinds. English Fantasies of Venice. Amsterdam/Atlanta, GA, 1999, VI, 255 pp. Features « An Amazon in Venice: Vernon Lee’s “Lady Tal” » by Ina Schabert.

Pireddu, Nicoletta. Antropologi alla corte della bellezza : decadenza ed economia simbolica nell’Europa fin de siècle. Verona : Edizioni Fiorini, « Mneme », 2002. 479 p.

Prins, Yopie. Victorian Sappho. Princeton: Princeton University Press, 1999.

Pulham, Patricia. Art and the Transitional Object in Vernon Lee’s Supernatural Tales. Aldershot and Burlington, VT: Ashgate, 2008. 188 pp.

Raitt, Suzanne and Trudi Tate. Women’s Fiction and the Great War. Clarendon Press , 1997. 304 pages. (1 chapter on V. Lee).

Rancy, Catherine. Fantastique et décadence en Angleterre, 1890-1914. CNRS/Centre Régional de Publication de Toulouse, 1982. [Voir chapitre V : « Etude d’un cas : Vernon Lee (1856-1935) » : pp. 142-57.]

Samuels, Ernest. Bernard Berenson, the Making of a Connoisseur. Cambridge, Mass. & London: Belknap Press of Harvard University Press, 1979.

Schmidt, Gunnar. Die Literarisierung des Unbewusten: Studien zu den phantastischen Erzählungen von Oliver Onions und Vernon Lee. New York: Peter Lang, 1984.

Schaffer, Talia. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England. London: University Press of Virginia, 2000.

Schaffer, Talia and Kathy Alexis Psomiades (eds.). Women and British Aestheticism. Charlottesville: University of Virginia Press, 2000.

Smith, Patricia Juliana. Lesbian Panic: Homoeroticism in Modern British Women’s Fiction. New York: Columbia University Press, 1997.

Stratchey, Barbara. Remarkable Relations : The Story of the Pearsall-Smith Family. London: Victor Gollancz, 1980.

Tylee, Claire (ed.). Women, the First World War and the Dramatic Imagination. International Essays (1914-1999). Lewiston, New York and Lampeter: Edwin Mellen Press, 2000.

Vicinus, Martha (ed.). Suffer and Be Still: Women in the Victorian Age. Bloomington: Indiana University Press, 1972.

Vicinus, Martha. Intimate Friends : Women who Loved Women, 1778-1928. Chicago : Chicago University Press, 2004. [Includes a chapter on V. Lee, pp. 152-73].

Zorn, Christa. Vernon Lee: Aesthetics, History and the Victorian Female Intellectual. Ohio University Press, 2003. 256 pp.

b.  Articles

Acidini, Cristina. « Inglesi e giardini : la salvezza delle colline di Firenze ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 19-26.

Agnew, Lois. “Vernon Lee and the Victorian Aesthetic Movement: ‘Feminine Souls’ and Shifting Sites of Contest”. Nineteenth Century Prose 26: 2 (1999): 127-42.

Balestra, Gianfranca. « Vernon Lee e Edith Wharton : viaggiatrici nel tempo e Nello spazio ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 209-18.

Barrera-Medrano, Leire. « ‘Dolls in Agony’: Vernon Lee in Southern Spain », Cahiers victoriens et édouardiens [Online], 83 Printemps | 2016, Online since 31 May 2016. URL : http://cve.revues.org/2457 ; DOI : 10.4000/cve.2457

Beer, Gillian. “The Dissidence of Vernon Lee: Satan the Waster and ‘The Will to Believe’”. In Suzanne Raitt and Trudi Tate (eds.). Women’s Fiction and the Great War. Oxford: Clarendon, 1997. 107-31.

Bini, Benedetta. « Vernon Lee, Henry James e le regole del gioco ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 308-17.

Biron, Archille H. “Paget in Parays.” Colby Library Quarterly (June 1960): 123-27.

Bizzotto, Elisa. “Pater’s Reception in Italy: a General View”. In Stephen Bann (ed.). The Reception of Walter Pater in Europe. Athlone Press, 2004. (shows that Pater’s reception in Italy was launched by V. Lee).

Bizzotto, Elisa. Review of Nicoletta Pireddu, Antropologi all corte della bellezza. Decadenza ed economia simbolica nell Europa fin de siècle. Verona: Edizioni Fiorini, 2002. Tracce, december 2003.

Bizzotto, Elisa. « L’Olimpo mediterraneo di Vernon Lee tra Pater e Forster ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 362-75.

Boni, Donatella. « Profetiche e polemiche parole d’amore : Vernon Lee scrive agli italiani di ieri e di oggi ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 242-54.

Brake, Laurel. “Vernon Lee and the Pater Circle”. In Maxwell & Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006. 40-57.

Brake, Laurel. « Vernon Lee and the Pater Circle ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 161-85.

Briggs, Jo. “Plural Anomalies: Gender and Sexuality in Bio-Critical Readings of Vernon Lee”. In Maxwell & Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 160-73.

Brilli, Attilio. « Gli dei in esilio e lo spirito del luogo ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 32-7.

Brockington, Grace. “Performing Pacifism: the Battle between Artist and Author in The Ballet of the Nations”. In Maxwell & Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 143-159.

Brosch, Renate. “Verbalizing the Visual: Ekphrasis as a Commentary on Modes of Representation”. In Emig, J., A. Lehmann and I. Maasen (eds.). Mediale Performanzen. Freiburg: Rombach, 2002.

Brown, Alison. “Vernon Lee, Brewster and the Berensons in the 1890s.” In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 125-41.

Caballero, Carlo. “’A Wicked Voice’: on Vernon Lee, Wagner, and the Effects of Music. » Victorian Studies. Indiana University Press, 35: 4 (Summer 1992): 385-408.

Cary, Richard. “Aldous Huxley, Vernon Lee and the Genius Loci.” Colby Literary Quaterly. June 1960.

Cenni, Serena. « ‘The Rape of Life and Beauty’ : Ottilie, un’ambigua confessione ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 376-86.

Christensen, Peter. “The Burden of History in Vernon Lee’s Ghost Story ‘Amour Dure’.” Studies in the Humanities 16: 1 (1989), 33-43.

Christensen, Peter. “’A Wicked Voice’: V. Lee’s Artist Parable”. Lamar Journal of the Humanities 15: 2 (1989), 3-15.

Clute, John. “Vernon Lee”. Supernatural Fiction Writers: Fantasy and Horror. E.F. Bleiler (ed.). New York: Scribner, ca. 1985. 2 vol. pp. 329-44.

Colby, Vineta. “The Puritan Aesthete: Vernon Lee”. The Singular Anomaly: Women Novelists of the Nineteenth Century. New York and London: New York University Press and London University Press, 1970. pp. 235-304.

Corrigan, Beatrice. “Vernon Lee and the Old Yellow Book”. The Colby Library Quaterly (June 1960): 116-22.

Corrigan, Beatrice. “Giovanni Ruffini’s Letters to Vernon Lee, 1875-1879.” English Miscellany 13 (1962): 179-240.

Dazzi, Andrea e Cristina. « Vernon Lee, San Marcello e le ‘case’ Cini ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 116-21.

Dellamora, Richard. “Productive Decadence: ‘The Queer Comradeship of Outlawed Thought’: Vernon Lee, Max Nordau, and Oscar Wilde”. New Literary History 35 (2005): 1-18.

Delyfer, Catherine. « Etre et paraître dans Miss Brown de Vernon Lee ». Cahiers Victoriens et Edouardiens. N° 67. Montpellier : Presses Universitaires de Montpellier, avril 2008, pp. 393-406.

Denisoff, Dennis. “Vernon Lee”. In Burnham Bloom, Abigail (ed.). Nineteenth Century British Women Writers. New York: Greenwood, 2000.

Denisoff, Dennis. “The Leering Creatures of W. H. Mallock and Vernon Lee”. Aestheticism and Sexual Parody: 1840-1940. Cambridge: Cambridge University Press, 2001.

Denisoff, Dennis. “The Forest Beyond the Frame: Picturing Women’s Desires in Vernon Lee and Virginia Woolf”. In Schaffer, Talia, and Kathy Alexis Psomiades (eds.). Women and British Aestheticism. Charlottesville: University of Virginia, 2000. pp. 251-69.

Denisoff, Dennis. “Nasty Business: Vernon Lee and the Decadence of Stability”. In Villa, Luisa and Marco Pustianaz (eds.). Maschilità decadenti. La lunga fin de siècle. A cura di M. Pustianaz e L. Villa, Sestante/Bergamo U.P., Bergamo 2004.

Denisoff, Dennis. “Vernon Lee, Decadent Contamination and the Productivist Ethos”. In Maxwell & Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 75-90.

Di Ricco, Alessandra. « Il Settecento letterario italiano di Vernon Lee ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 142-52.

Durante, Sergio. « Settecento e ottocento nel’immagine della musica di Vernon Lee ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 153-60.

Edel, Leon. « Henry James and Vernon Lee ». PMLA 69 (June 1954) : 677-87.

Eatman, John “rbadac”. “Vernon Lee’s ‘Dionea’.” 2000.
http://www.violetbooks.com/REVIEWS/rbadac-vernonlee.html

Evangelista, Stefano. “Vernon Lee and the Gender of Aestheticism”. In Maxwell & Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 91-111.

Evangelista, Stefano. “Vernon Lee and the Aesthetics of Doubt.” British Aestheticism and Ancient Greece: Hellenism, Reception, Gods in Exile. New York: Palgrave Macmillian, 2009. 55-92.

Falzon, Alex R. « Eugene Lee-Hamilton, Violet Paget and the ‘sonnet-mania’ in Tuscany ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 195-208.

Fife, Hilda M. “Letters from Edith Wharton to Vernon Lee.” Colby Library Quarterly (February 1953): 139-44.

Fluhr, Nicole. “Empathy and Identity in Vernon Lee’s Hauntings”. Victorian Studies 48:2. Indiana: Indiana University Press, 2005, pp. 287-94.

Fraser, Hilary. “Women and the Ends of Art History: Vision and Corporeality in Nineteenth Century Discourse”. Victorian Studies 42: 1 (1988-89), 77-100.

Fraser, Hilary. “Vernon Lee, England, Italy and Identity Politics”. In Richardson, Carol and Graham Smith (eds.). Britannia Italia Germania: Taste and Travel in the Nineteenth Century. Edinburgh: VARIE, University of Edinburgh, 2001, pp. 175-91.

Fraser, Hilary. “Interstitial Identities: Vernon Lee and the Spaces In-Between”. In Demoor, Marysa (ed.). Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930. Houndmills, Basingstoke and New York: Palgrave Macmillan, 2004, pp. 114-33.

Fraser, Hilary. “Evelyn De Morgan, Vernon Lee and Assimilation from Without”. Journal of Pre-Raphaelite Studies  NS 14 (Spring, 2005), 75-90.

Fraser, Hilary. “‘Mirror visions’ and ‘dissolving views’: Vernon Lee and Patrick Geddes’ Outlook Tower’ » (with Nick Burton). Nineteenth-Century Contexts  28 : 2 (2006), 145-60.

Fraser, Hilary. “Writing in the Margins and Reading Between the Lines in Vernon Lee’s Library”. In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 231-41.

Fraser, Hilary. “Regarding the Eighteenth Century: Vernon Lee and Emilia Dilke Construct a Period”. In Francis O’Gorman and Kathleen Turner (eds.). The Victorians and the Eighteenth Century: Reassessing the Tradition.  Aldershot and Burlington VT: Ashgate, 2004. 223-49.

Gagel, Amanda. « 1897, A Discussion of Plagiarism: Letters Between Vernon Lee, Bernard Berenson, and Mary Costelloe ». Literary Imagination. First published online January 12, 2010. http://litimag.oxfordjournals.org/content/early/2010/01/12/litimag.imp090.extract

Gan, Wendy. “A Return to the Imaginary: Psychoanalysis and Travel in Vernon Lee’s Travel Essays”. Prose Studies: History, Theory, Criticism. 22:3. London: Frank Cass Publishers, 1999, pp. 79-90.

Gardner, Burdett. “An Apology for Henry James’s Tiger-Cat”. PMLA, vol. LXVIII, Sept. 1953, n° 4, pp. 688-95.

Gary, Richard. “Aldous Huxley, Vernon Lee and the Genius Loci.” Colby Library Quarterly (June 1960): 128-40.

Gary, Richard. “Vernon Lee’s Vignettes of Literary Acquaintances.” Colby Library Quarterly (September 1970): 179-99.

Gary, Richard.  “Violet Paget to Sarah Orne Jewett.” Colby Library Quarterly (December 1970): 235-43.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « Celebrations and the Carnivalesque in the Texts of Vernon Lee”. Alizés/Trade Winds. “Celebrations, CAPES & Other Essays”. N° 13, January 1997, pp. 157-75. http://perso.orange.fr/oracle974/text/74c21e88-280.html

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « L’imaginaire du souterrain/souterrain de l’imaginaire: Vernon Lee ». In Aurelia Gaillard (ed.). Le souterrain. Paris: L’Harmattan, 1998, pp. 185-95.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « Le fantastique de Vernon Lee au tournant du siècle: entre baroque et grotesque ». In Max Duperray (ed.). La littérature  fantastique en Grande-Bretagne au tournant du siècle. Aix-en-Provence: Presses Universitaires de Provence, 1997, pp. 147-70.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « L’enfant dans les textes de Vernon Lee ». Cahiers Victoriens & Edouardiens 47 (April 1998) : 251-63.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « La musique dans les textes de Vernon Lee ». Cahiers Victoriens & Edouardiens 49 : “ La musique » (April 1999) : 57-70.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). Introduction à l’étude du fantastique dans la littérature anglo-américaine. Paris : éditions du temps, coll. “ Questions de littérature », 2000.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « Les voix maudites de Vernon Lee, du bel canto à la mal’aria dans ‘Winthrop’s Adventure’ (1881), ‘La voix maudite’ (1887), ‘The Virgin of the Seven Daggers’ (1909) ». Alizés/Trade Winds, N° 22, June 2002, pp. 113-34. http://perso.orange.fr/oracle974/text/74c21e88-577.html

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « Triste cire, cendres ardentes : ‘la Poupée’ de Vernon Lee ». Le Visage Vert, anthologie fantastique. n° 10, X. Legrand Ferronnière ed. Paris: Joëlle Losfeld, 2001, pp. 82-91.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). “ L’esthétique trans-artistique picturo-musico-littéraire de Vernon Lee ». Narratologie n°6, Littérature et représentations artistiques. Fabrice Parisot (ed.). CNA/L’Harmattan, 2005, pp. 121-42.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). “ Images, textes, voix: les modalités de leur co-présence, leurs fonctions respectives, leur interaction dans la création littéraire : le cas de Vernon Lee ». J. Tual (ed.). Travaux et documents. Langues, littératures et cultures étrangères : champs épistémologiques. N° 19, Université de la Réunion, Faculté des Lettres et des Sciences Humaines, avril 2003, pp. 43-50.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). « Vernon Lee ». Dictionnaire Encyclopédique des littératures de l’imaginaire. Jacques Goimard et Stéphane Manfredo (eds.) Nantes : L’Atalante, 2012.

Geoffroy, Sophie (as Sophie Geoffroy-Menoux). “ Henry James & Family : Eleven Unpublished Letters”. Sources, n°14, June 2003, p. 6-111.
Accessible online : http://www.paradigme.com/sources/sommaires.html#14

Geoffroy, Sophie. « Détours et hybridations : mystères fin-de-siècle, intermedial fantasy et phénoménologie du subliminal. » Françoise Dupeyron-Lafay (ed.). Détours et hybridations. Cahiers du CERLI. Aix-en-Provence : Presses de l’Université de Provence, 2006, pp. 97-118.

Geoffroy, Sophie. “Portrait of Vernon Lee : New Woman and Florentine Sibyl”. In The Latchkey. « Featured New Women ». Accessible online : http://oscholars.com/Latchkey/Latchkey1.2/featured.htm#VL

Geoffroy, Sophie. “Vernon Lee’s Prince of the Hundred Soups (1880) : a Feminist, Utopian Puppet-Show”. The Puppet Notebook. Margolies, Eleanor (ed.). London : UNIMA (British section), march 2009. http://www.unima.org.uk

Geoffroy, Sophie. “Taste, Entitlement and Power in V. Lee’s Comedy of Masks cum Puppet Show: The Prince of the Hundred Soups (1880)”. The Sibyl, n°1, Spring 2007. 40 000 car.

Geoffroy, Sophie. « Vernon Lee et ses amis français, 1925-35 ». In Geoffroy, S., Serena Cenni, Elisa Bizzotto (dir.). Violet del Palmerino. Aspetti della cultura cosmopolita nel salotto di Vernon Lee: 1889-1935. A cura di Serena Cenni, Sophie Geoffroy e Elisa Bizzotto. Atti del convegno internazionale di studi, Firenze, 27-28 settembre 2012. 259 pp. Téléchargeable gratuitement au format pdf : http://www.consiglio.regione.toscana.it/EdA/default.aspx?idc=40

Geoffroy, Sophie. « Traduction et édition dans l’oeuvre de Vernon Lee ». Kissel, Myriam (ed.). Traduction-Edition. Actes des Colloques de 2012 et 2013. Alizés (Trade Winds). Université de La Réunion, October 2016, pp. 113-131.

Geoffroy, Sophie. “Vernon Lee, Paul Desjardins, Daniel Halévy and Romain Rolland”. Geoffroy Sophie & Michel Prum (eds.). Les femmes et la pensée politique : Vernon Lee et les cercles radicaux/ Vernon Lee and Radical Circles. Paris : Michel Houdiard, 2017. (in press).

Gettmann, Royal A. « Introduction ». The Handling of Words and other studies in literary psychology, by Vernon Lee. Lincoln : University of Nebraska Press, 1968. vii-xxiv.

Gettmann, Royal A. “Vernon Lee : Exponent of Aestheticism”. Prairie Schooner 42 (September 1968): 47-55.

Gregory Horace. “The Romantic Inventions of Vernon Lee”. « Introduction » to The Snake Lady and Other Stories by Vernon Lee. New York: Grove, 1954. Rp. New York: Marrow, 1981.

Harrington, Emily. “The Strain of Sympathy: A. Mary F. Robinson, The New Arcadia, and Vernon Lee.” Nineteenth-Century Literature, vol. 61, no. 1 (2006): 66-98.

Harrison, Fraser (ed.). The Yellow Book, An Illustrated Quarterly: An Anthology. New York: St Martin’s Press, 1974.

Herrmann, Anne. “Imitations of Marriage: Crossdressed Couples in Contemporary Lesbian Fiction.” Feminist Studies 18.3 (1992): 609-624.

Hotchkiss, Jane. “(P)revising Freud: Vernon Lee’s Castration Phantasy.” Seeing Double: Revisioning Edwardian and Modernist Literature. Ed. Carola M. Kaplan and Anne B. Simpson. New York: St. Martin’s Press, 1996. 21-38.

Houghton, Walter, ed. “Violet Paget”. Wellesley Index to Victorian Periodicals, 1824-1900, 2 vols. Toronto: University of Toronto Press, 1966, 1972.

Kandola, Sondeep. “Vernon Lee: New Woman?” Women’s Writing, 12:3 (2005), pp. 97-118.

Kane, Mary Patricia. “Of Realism and the Fantastic: Enfiguring Class and Gender in Vanitas”. In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 321-35.

Kane, Mary Patricia. « The Uncanny Mother in V. Lee’s ‘Prince Alberic and the Snake Lady’ ». The Victorian Review 2006. Accessible online :
http://www.jstor.org/pss/27793589

Kehler, Grace. « Occult Charm and Social Ills: Vernon Lee’s “A Wicked Voice” and George Du Maurier’s Castrated Texts ». Nicholas Halmi (ed.). Romanticism on the Net. « Opera and Nineteenth-Century Literature ». Université de Montréal. Numéro 34-35, Mai 2004.
http://www.erudit.org/revue/ron/2004/v/n34-35/009438ar.html
[Refers to Vernon Lee, Studies of the Eighteenth Century in Italy and “A Wicked Voice” and George Du Maurier’s Trilby].

Krstovic, Jelena (ed). Short Story Criticism, Vol. 98 (Detroit: Thomson Gale, 2007), pages 270-355. This number of Short Story Criticism features a brief biographical essay about Lee, and short extracts from many of the most important recent articles and essays on her short stories.

Lahbib, Olivier. « La Beauté positive ». In Dogma. Accessible online :
http://www.dogma.lu/pdf/OL-BeautePositive.pdf
http://www.cairn.info/resume.php?ID_ARTICLE=RMM_092_0227

Lahbib, Olivier. « Sur l’esthétique positiviste ». Revue de métaphysique et de morale. Paris : Presses Universitaires de France, 2009/2 (n° 62).

Lamberini, Daniela. « ‘The Divine Country’ : Vernon Lee in difesa di Firenze antiqua ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 38-52.

Lanzoni, Susan. « Practicing Psychology in the Art Gallery: Vernon Lee’s Aesthetics of Empathy ». Journal of the History of the Behavioral Sciences. Wiley Periodicals. Volume 45, Issue 4, pages 330–354, Autumn (Fall) 2009. Accessible online :
http://onlinelibrary.wiley.com/doi/10.1002/jhbs.20395/abstract

Leighton, Angela. « Ghosts, Aestheticism, and Victorian Literature and Culture ». Victorian Literature and Culture, vol. 28, n°1 (2000) Cambridge University Press, p. 1-14.

Leighton, Angela. “Resurrections of the Body: Women Writers and the Idea of the Renaissance”. Chapman, Alison and Jane Stabler (eds.). Unfolding the South: Nineteenth Century British Women Writers and Artists in Italy 1789-1900. Manchester: Manchester University Press, 2003, pp. 222-38.

Libbey, F, Elizabeth. “The Vernon Lee Papers.” Colby Library Quarterly (November 1952): 117-19.

Mahoney, Kristin. « Haunted Collections: Vernon Lee and Ethical Consumption ». Criticism: A Quarterly for Literature and the Arts. Wayne State University Press. 2006.

Mannocchi, Phyllis F. “‘Vernon Lee’: a Reintroduction and Primary Bibliography”. English Literature in Transition, 1880-1920. 26: 4 (1983): 231-67.

Mannocchi, Phyllis F. “Vernon Lee and Kit Anstruther-Thomson: a Study of Love and Collaboration Between Romantic Friends”. Women’s Studies 12 (February 1986): 129-48.

Marías, Javier. Written Lives. Edinburgh: Canongate 2006. Contains an essay ‘Vernon Lee, the Tiger Cat’, pp. 151-4. This is translated by Margaret Jull Costa from the original Spanish edition Vidas Escritas, published in 2000 by Alfaguera.

Markgraf, Carl. “’Vernon Lee’: A Commentary and an Annotated Bibliography of Writings about her”. English Literature in Transition, 1880-1920 26: 4 (1983): 268-312.

Marucci, Franco. « Miss Brown e il preraffaelismo ‘maudit’ di Vernon Lee ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 186-94.

Maxwell, Catherine. “From Dionysus to Dionea: Vernon Lee’s Portraits”. Word & Image 13: 3 (July-Sept. 1997), 253-69.

Maxwell, Catherine. “Vernon Lee and the Ghosts of Italy”. Chapman, Alison and Jane Stabler (eds.). Unfolding the South: Nineteenth Century British Women Writers and Artists in Italy 1700-1900. Manchester: Manchester University Press, 2003, pp. 201-21.

Maxwell, Catherine. “Vernon Lee and Eugene Lee-Hamilton”. Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 21-39.

Maxwell, Catherine. “Sappho, Mary Wakefield, and Vernon Lee’s ‘A Wicked Voice’”. The Modern Language Review Vol. 102, No. 4 (Oct., 2007), pp. 960-974. Accessible online :
http://www.accessmylibrary.com/coms2/summary_0286-35328130_ITM

Maxwell, Catherine. “Whistlerian Impressionism and the Venetian Variations of Vernon Lee, John Addington Symonds, and Arthur Symons”. The Yearbook of English Studies Volume 40, Numbers 1-2, 1 July 2010 , pp. 217-45.

Melani, Sandro. « L’immagine ritratta nei racconti di Vernon Lee ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 336-43.

Milsom, Alexandra. « Manlier than Mozart: The Anti-Wagnerian Stance of “A Wicked Voice”. » Thinking Gender Papers. UCLA Center for the Study of Women, UC Los Angeles.
04-01-2010. Accessible online :
http://www.escholarship.org/uc/item/1517r1q9

Murphy, Geraldine. « Publishing Scoundrels: Henry James, Vernon Lee, and “Lady Tal” ». The Henry James Review. The Johns Hopkins University Press. Volume 31, Number 3, Fall 2010, p. 280-287

Mieszkowski, Sylvie. “Vernon Lee — Gen(i)us Loci of Academic Periphery”. Conference Proceedings of Academia’s Gendered Fringe, A Historical Perspective 1890–1945. Kloster Seeon, Germany 2003. Berlin 2005.

Milletti, Nerina. 1994. « Due Violette Inglesi a Firenze : Violet Paget (1856-1935) e Violet Keppel (1894-1972) ». Quir: mensile fiorentino di cultura e vita lesbica e gay, e non solo… Parte I 13: 25-28. Parte II 14: 29-30. Accessible online :
http://www.women.it/les/storia/violette.htm

« Clementina (Kit) Anstruther –Thomson, a ten year (1887-1897) relationship with Violet Paget ». Accessible online :
http://home.zipworld.com.au/~lnbdds/home/violetpaget.htm

Minuto, Emanuela. « Editori, autori e eruditi alle prese con una giovane e intraprendente scrittrice. Note sulle corrispondenze fiorentine di Vernon Lee ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 82-106.

Naldini Maurizio. « Vernon Lee negli archivi de La Nazione. » In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 27-31.

Newman, Sally. « The Archival Traces of Desire : Vernon Lee’s Failed Sexuality and the History of the Interpretation of Letters in Lesbian History ». Journal of the History of Sexuality. University of Texas Press. Vol. 14, n°1-2, January/April 2005 : 51-75.

Neri, Simonetta. « Paesaggi reali e immaginari nei racconti di Vernon Lee ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 356-61.

Ormond, Leonée. “Vernon Lee as Critic of Aestheticism in Miss Brown”. Colby Literary Quaterly 9: 3 (1970): 131-54.

Ormond, Leonée. « Framing the Painting: The Victorian “Picture Sonnet” ». Accessible online :
http://www.ucl.ac.uk/english/graduate/issue/2/leonee.htm

Ormond, Richard. “John Singer Sargent and Vernon Lee”. The Colby Library Quaterly (September 1970): 154-78.

Paolini, Claudio. « L’immagine della casa toscana nella Firenze di Vernon Lee : suggestioni e modelli ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 107-115.

Palacio, Jean de. “Y a-t-il une écriture féminine de la décadence?” Romantisme 13 (1983): 177-86.

Pantazzi, Sybille. “Enrico Nencioni, William Wetmore Story, and Vernon Lee.” English Miscellany. Rome: The British Council, no. 10 (1959): 249-60.

Pantazzi, Sybille. “Carlo Placci and Vernon Lee; Their Letters and Their Friends”. English Miscellany. Rome: The British Council, no. 12 (1961) : 97-122.

Pireddu, Nicoletta. « Satan the Waster : Peace and the Gift ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 270-84.

Pireddu, Nicoletta. “Between Darwin and San Francesco: Zoographic Ambivalences in Mantegazza, Ouida, and Vernon Lee”. In Gothic Studies, Special Issue “European and Italian Eco-Gothic in the Long 19th Century”, 16 (1), May 2014: 111-127.

Pireddu,  Nicoletta. “Vernon Lee: Aesthetic Expenditure, noblesse oblige”. In Athena’s shuttle. ed. by F. Marucci and E. Sdegno (Milano: Cisalpino, Istituto Editoriale Universitario, 2000): 175-194.

Plain, Gill. “The Shape of Things to Come: the Remarkable Modernity of Vernon Lee’s Satan the Waster (1915-1920)”. In Claire Tylee (ed.). Women, the First World War and the Dramatic Imagination. International Essays (1914-1999). Lewiston, New York and Lampeter: Edwin Mellen Press, 2000. 5-21.

Psomiades, Kathy Alexis. “ ‘Still Burning from this Strangling Embrace’: Vernon Lee on Desire and Aesthetics”. Richard Dellamora (ed.). Victorian Sexual Dissidence. Chicago and London: The University of Chicago Press, 1999: 21-41.

Pulham, Patricia. “Vernon Lee: a Forgotten Voice”. The Hungarian Journal of English and American Studies 5: 2 (Spring 1999), 51-62.

Pulham, Patricia. “The Castrato and the Cry in Vernon Lee’s Wicked Voices.” Victorian Literature and Culture. Cambridge: Cambridge University Press, 2002. p. 421-37.

Pulham, Patricia. “A Transatlantic Alliance: Charlotte Perkins Gilman and Vernon Lee”.  Heilmann, Ann (ed.). Feminist Forerunners: (New) Womanism and Feminism in the Early Twentieth Century. London: Pandora Press, 2003, pp. 34-43.

Pulham, Patricia. “’I found for you a scarlet blossom rare’: Reconsidering the Friendship of Amy Levy and Vernon Lee”. Conference Proceedings of Amy Levy: a Colloquium. University of Southampton, Sept. 2002. Forthcoming 2004.

Pulham, Patricia. “Duality and Desire in Louis Norbert”. Maxwell, C. and P. Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 123-42.

Robbins, Ruth. « Vernon Lee : Decadent Woman ». Fin de siècle/Fin du Globe : Fears and Fantasies of the Late Nineteenth Century. Stokes, John (ed.). New York : St Martin’s, 1992.

Rockhill, Jim. « Cruel Love, Cruel Death : Vernon Lee’s ‘Amour Dure’ ». Accessible online :
http://www.violetbooks.com/REVIEWS/rockhill-vernonlee3.html

Rockhill, Jim. « Vernon Lee’s Sister Benvenuta & the Christ Child : A Commentary ». Accessible online :
http://www.violetbooks.com/REVIEWS/rockhill-vernonlee.html

Rockhill, Jim. “Vernon Lee’s A Phantom Lover.” 2000. Accessible online :
http://www.violetbooks.com/REVIEWS/rockhill-vernonlee2.html

Sasso, Eleonora. « Vernon Lee e la messinscena della folia ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 344-55.

Schabert, Ina. « An Amazon in Venice: Vernon Lee’s “Lady Tal” ». Pfister, Manfred and Barbara Schaff (eds.). Venetian Views, Venetian Blinds. English Fantasies of Venice. Amsterdam & Atlanta, GA, 1999.

Schaffer, Talia. « Fashioning Aestheticism by Aestheticizing Fashion : Wilde, Beerbohm, and the Male Aesthetes’ Sartorial Codes ». Victorian Literature and Culture (2000), 28: 39-54. Cambridge University Press.

Seed, David. “Introduction”. The Handling of Words and Other Studies in Literary Psychology, by Vernon Lee. Lampeter: Edwin Mellen, 1992. i-xxx.

Severi, Rita. “Vernon Lee and Mantua”. Journal of Anglo-Italian Studies 5 (1998), 179-200.

Severi, Rita. “Vernon Lee a Bologna: la scrittrice ricorda I suoi viaggi”. Il Carrobbio (2002) 217-26.

Severi, Rita. « Vernon Lee through the Enchanted Woods of Travel Writing ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 219-27.

Sieberg, Herward. « Vernon Lee’s German Connections and Her Friendship with Irene Forbes-Mosse ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 285-307.

Small, Ian. “Vernon Lee, Association and ‘Impressionist Criticism’ ». The British Journal of Aesthetics 17: 2 (Spring 1977): 178-84.

Stableford, Brian. “Haunted by the Pagan Past: an Introduction to Vernon Lee.” 2001. Accessible online :
http://www.iplus.zetnet.co.uk/introduces/lee.htm

Stephenson, Andrew. « ‘A keen sight for the sign of the races’: John Singer Sargent, Whiteness and the Fashioning of Angloperformativity ». Visual Culture in Britain. Manchester University Press. Volume 6, Number 2, Winter 2005, pp. 207-25 (19).

Stetz, Margaret. “The Snake Lady and the Bruised Bodley Head : Vernon Lee and Oscar Wilde in The Yellow Book ». Maxwell, C. and P. Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 112-22.

Tintner, Adeline R. « Fiction is the Best Revenge: Portraits of Henry James by Four Women Writers ». Turn of the Century Women 2:2 Winter (1985), pp. 42-9.

Towheed, Shafquat. « The Creative Evolution of Scientific Paradigms: Vernon Lee and the Debate over the Hereditary Transmission of Acquired Characters ». Victorian Studies 49:1 (Autumn 2006), 33-61.

Towheed, Shafquat. « Determining “Fluctuating Opinions”: Vernon Lee, Popular Fiction, and Theories of Reading. » Nineteenth-Century Literature 60:2 (September 2005), 199-236.

Towheed, Shafquat. “The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past”. In Weliver, Phyllis & Katharine Ellis (eds.). Words and Notes in the Long Nineteenth Century. Boydell & Brewer, 2013. 272 pp.

Townley, Sarah. « Vernon Lee and Elitism: Redefining British Aestheticism ». English Literature in Transition. 54:4. 2011 (Forthcoming).

Vicinus, Martha. “The Adolescent Boy: Fin de Siècle Femme Fatale?” Journal of the History of Homosexuality 5 (1994), 90-114. Rpt. In Dellamora, Richard (ed.). Victorian Sexual Decadence. Chicago and London: University of Chicago Press, 1999, pp. 83-106.

Vicinus, Martha. « ‘A Legion of Ghosts’ : Vernon Lee (1856-1935) and the Art of Nostalgia ». GLQ : A Journal of Lesbian and Gay Studies, 10/4 (2004) : 599-616.

Volpi, Alessandro. « Vernon Lee e alcuni amici fiorentini : riflessioni sul Rinascimento e sull’Italia ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 53-81.

Weber, Carl J. “Henry James and His Tiger-Cat”. PMLA, 68 (September 1953): 672-87.

Weber, Carl J. “An Interim Bibliography of Vernon Lee”. Colby Library Quarterly (November 1952): 133-34.

Weber, Carl J. “Letters from Gosse and Benson.” Colby Library Quarterly (November 1952): 134-36.

Weber, Carl J. “A List of Those Who Wrote Letters to Vernon Lee.” Colby Library Quarterly (November 1952): 127-29.

Weber, Carl J. “Mr. Wells and Vernon Lee.” Colby Library Quarterly (November 1952): 129-33.

Weber, Carl J. “Correspondence. Mr. Wells and ‘Vernon Lee.”‘ Nation (New York) 99 (October 22, 1914): 495.

Wellek, René. “Vernon Lee, Bernard Berenson, and Aesthetics”. Discriminations: Further Concepts of Criticism. New Haven: Yale University Press, 1970.

Wiley, Catherine Anne. “’Warming me like a Cordial’: the Ethos of the Body in Vernon Lee’s Aesthetics”. Maxwell, C. and P. Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 58-74.

Zorn, Christa. “Aesthetic Intertextuality as Cultural Critique: Vernon Lee Rewrites History Through Walter Pater’s ‘La Gioconda’”. The Victorian Newsletter 91 (Spring 1997), 4-11.

Zorn, Christa. “The Handling of Words: Reader-Response Victorian Style”. Maxwell, C. and P. Pulham (eds.). Vernon Lee: Decadence, Ethics, Aesthetics. Basingstoke & New York: Palgrave Macmillan, “Palgrave Studies in Nineteenth-Century Writing and Culture”, 2006, pp. 174-92.

Zorn, Christa. « The Cosmopolitan Intellectual During World War I ». In Dalla Stanza Accanto ; Vernon Lee e Firenze settant’ anni dopo. Atti del Convegno Internazionale di Studi. Firenze 26-27-28 maggio 2005. A cura di Serena Cenni e Elisa Bizzotto. Gabinetto G.P. Vieusseux, Università degli Studi di Trento, The British Institute of Florence. Firenze : Consiglio Regionale della Toscana, 2006. 255-69.

III.  Book Reviews

« Aestheticism in Lee ». Review of Schaffer, Talia and Kathy Alexis Psomiades (eds.). Women and British Aestheticism. Charlottesville: UP of Virginia, 1999. pp. x+304. Accessible online :
http://www.utpjournals.com/product/vpr/343/aestheticism9.html

Bilston, Sarah. « Vernon Lee’s Reputation ». English Literature in Transition 1880-1920. ELT Press. 22 March 2005. Review of Zorn, Christa. Vernon Lee: Aesthetics, History, and the Victorian Female Intellectual. Athens: Ohio University Press, 2003. xxxi + 281 pp.

Dellamora, Richard. « Vernon Lee’s Moment ». Review of Zorn, Christa. Vernon Lee: Aesthetics, History, and the Victorian Female Intellectual. In Nineteenth-Century Gender Studies. Issue 2.2 (Summer 2006).

Evangelista, Stefano. Review of Pulham, Patricia. 2008. Art and the Transitional Object in Vernon Lee’s Supernatural Tales. Aldershot and Burlington, VT: Ashgate.188 pp. In Melmoth, supplement to The Oscholars. N° 2. November 2008. Accessible online :
http://www.oscholars.com/TO/Forty-seven/Main/editorial.htm#pul.

Lappin, Linda. « The Ardent Pen of Vernon Lee”. The Kenyon Review, 22 June 2005. Review of Colby, Vineta. Vernon Lee: A Literary Biography. Charlottesville: University of Virginia Press, 2003. 432 pp.

Maier, Pauline. « A World of Women ». The New York Times. December 12, 1982. Review of Barbara Strachey. Remarkable Relations ; The Story of the Pearsall-Smith Women. New York: Universe Books, 1982. 351 pp. Accessible online :
http://www.nytimes.com/1982/12/12/books/a-world-of-women.html

Moran, Maureen, review of Maxwell and Pulham (eds). Vernon Lee, in English Literature in Transition, 1880-1920, 51:3. London: John Hopkins University Press, 2008, pp. 320-3.

Wright, Sarah Bird. Review of Wharton, Edith. Italian Backgrounds. Accessible online : http://www.wsu.edu/~campbelld/wharton/disc/id20.htm

IV.  PhD Theses

Bizzotto, Elisa. Il ritratto immaginario fin de siècle: studio della short story decadente.  (see “I discepoli pateriani: I portraits storico-mitologici di Vernon Lee e Oscar Wilde”). PhD Thesis, University of Florence, 2001.

Brockington, Grace. “Above the Battle”: Art for Art’s Sake and Pacifism during the First World War. University of Oxford, Sept. 2003. (A chapter on Lee entitled: “Performing Pacifism”).

Garcia, Raymond III. Revelations from Vernon Lee’s “Life-Poem”: Subverting  Decadence and Embracing Individuality in Miss Brown.  Texas A & M University, Kingsville. 2010.

Kandola, Sonny. The “Aesthetic-Gothic”: Liberalism, Nationalism and Social Reform in Gothic Writings, 1700-1900. University of London, 2003. A chapter on Lee (ch. 5) entitled: “An Impressionist Supernaturalism—the work of Vernon Lee”.

Mahoney, Kristin. Aestheticist Renaissances: Economics, Aesthetics, and the Transition to Modernism. University of Notre Dame (to be submitted 2005). A chapter on Lee entitled: “Haunted Collections: Late-Victorian Theories of Ethical Consumption.”

Pulham, Patricia. Grown-Up Toys: Aesthetic Forms and Transitional Objects in Vernon Lee’s Supernatural Tales. University of London, 2001.

Thue-Tun, Marie Carmen. Vernon Lee (Violet Paget, 1856-1935), une odyssée scripturale entre romantisme et modernité. University of La Réunion, Nov. 2010.

Wiley, Catherine. “Amphibious Creatures”: Essayism and Transformative Play in Walter Pater, Vernon Lee, and John Addington Symonds. Temple University, Philadelphia, PA, 2001.

Zorn, Christa (as Christa Zorn-Belde). Vernon Lee: Aesthetics, History and the Female Subject in the Nineteenth Century. University of Florida, 1994.

Work in progress

Barrera-Medrano, Leire. PhD. The correspondence of Vernon Lee and José Fernández Giménez (1832-1903). Birkbeck College, University of London. Supervised by Ana Parejo Vadillo.

Cenni, Serena, Elisa Bizzotto and Sophie Geoffroy (eds.). Violet del Palmerino; Aspetti della cultura cosmopolita nel salotto di Vernon Lee, 1889-1935. Proceedings of the International Conference of Florence, Sept. 2012. Florence: Consiglio Regionale de Toscana, 2014.

Dalleau, Cécilia. Les inédits de Vernon Lee, 1914-1919 : carnets et écrits. Traduction et édition critique. PhD. Université de La Réunion. Research supervisor: Sophie Geoffroy.

Geoffroy, Sophie et Michel Prum (eds.). Women and Political Theory: Vernon Lee and her Radical Circle. Proceedings of the International Conference « Les femmes et la pensée politique : Vernon Lee et les cercles radicaux », Paris, 2013. Cambridge : Cambridge Scholars Publishing, 2014.

Laing, Kathy. PhD about Hannah Lynch (a friend of Mary Robinson’s).

Townley, Sarah. Redefining British Aestheticism: Literary Value, Elitism and Readerships, 1865-1928. Summer 2011. Sarah Townley’s doctoral research aims to expand traditional accounts of the evolution of British Aestheticism to encompass a more complex understanding of its theorization of its elite readerships. She focuses on the works of Matthew Arnold, Walter Pater, Henry James, Vernon Lee (Violet Paget) and Rebecca West. Research Supervisors: Josephine Guy, David James.

Ventrella Francesco. Visitations; Vernon Lee, Art History and Psychological Aesthetics. 2015.

V.  Master dissertations

Boyer, Nathalie. “Gender Roles and Class Relations in Miss Brown by Vernon Lee”. Dir. Sophie Geoffroy. University of La Réunion, 2003.

Cerveaux, Clara. “’The Snake Lady’ by Vernon Lee and the Roman de Mélusine by Jean d’Arras: a Comparative Study”. Dir. Sophie Geoffroy. University of La Réunion.

Etheve, Elodie. « Vernon Lee’s Letters : a New Woman in the Making ? » Dir. Sophie Geoffroy. University of La Réunion, Sept. 2011.

Grondin, Patricia. « Les Dieux et Ritter Tanhüser. Traduction et commentaire littéraire de The Gods and Ritter Tanhûser (1927) de Vernon Lee ». Dir. Sophie Geoffroy. University of La Réunion, 1998.

Guerdin, Stéphanie. « Time and Art in Vernon Lee’s ‘’Prince Alberic and the Snake Lady’ and ‘The Virgin of the Seven Daggers’. » Dir. Sophie (Geoffroy-)Menoux. University of La Réunion, 2001.

Laude, Sophie. « The Vernon Lee Letters at McGill University ». Dir. Sophie Geoffroy. University of La Réunion, Sept. 2011.

Thue-Tun, Carmen. « Mythes, pouvoir et images de la femme dans Miss Brown (1884) de Vernon Lee ». Dir. Sophie Geoffroy. University of La Réunion, 2005.

Torpos, Marie-Aude. “’Lady Tal’ by Vernon Lee and ‘Miss Grief’ by Constance Fenimore Wolson: a Comparative Study”. Dir. Sophie Geoffroy. University of La Réunion.

VI.  Research resources

* Gender studies in France : Fédération Nationale de Recherche sur le Genre (RING)
http://www2.univ-paris8.fr/RING

* The British Institute of Florence. The Vernon Lee Library.
“After her death in 1935, some 350 books from Vernon Lee’s Library at the Villa ‘Il Palmerino’ were presented to the British Institute of Florence by her friend and executrix, Irene Cooper Willis. These reflect the wide range of Vernon Lee’s interests. ‘The width of her reading in scientific subjects,’ writes her biographer Peter Gunn, ‘and more particularly in the social sciences, is quite astonishing.’ Many of the books bear the dates of reading and re-reading, and are copiously annotated.
All the items in this collection can be found in the online catalogue, either by the classmark (prefixed by ‘VL’) or by the subject heading of ‘Lee, Vernon – former owner’.” (Home page presentation)
To consult the online catalogue:
http://www.britishinstitute.it/ing/vernonlee.html
http://www.britishinstitute.it/en/archive/vernon-collection.asp
http://www.britishinstitute.it/ita/vernonlee.html  (Il Fondo Vernon Lee in Italian)
For more information, e –mail the library at library@britishinstitute.it

* The Miller Library at Colby College
http://www.colby.edu/academics_cs/library/special/Research/vernon-lee-collection.cfm
Colby College
4000 Mayflower Hill
Waterville, ME 04901-8840
P: 207-872-3000
web@colby.edu

See, in particular, P. Mannocchi’s excellent document at
http://www.colby.edu/academics_cs/library/special/Research/upload/MannocchiTotal.pdf

* The Harvard University Center for Italian Renaissance Studies, especially the Berenson Archive, Villa I Tatti, Fiesole at http://www.itatti.it

* The Biblioteca Nazionale Centrale di Florencehttp://www.bncf.firenze.sbn.it/

* The Marucelliana Library in Florence, especially Carteggio Placci (correspondence between Carlo Placci and Vernon Lee).
http://www.maru.firenze.sbn.it/PG3.htm

* The British Libraryhttp://catalogue.bl.uk
* Mc Gill University in Montreal http://catalogue.mcgill.ca
The Leon Edel Archive : “ [the Edel transcriptions] contain [unique information] on unpublished letters whose whereabouts are no longer known and on dated or partially dated letters … For an estimated 650-675 letters—letters that perhaps did not survive the Second World War, or letters that emerged from private collections only long enough for Edel to consult them, or letters that continue to circulate privately without leaving a public trail through auction houses—Edel’s files contain the only known records of their existence. Should the originals never surface, then Edel’s papers will be the ultimate source for information on as much as 5% of the James epistolarium” (Jobe HJR 21: 292).

* Les manuscrits de la Bibliothèque Victor Cousin
Complément de l’inventaire : http://bbf.enssib.fr/consulter/bbf-1958-03-0185-002

* le site consacré à Guy de Maupassant
http://www.maupassantiana.fr

VII.  Websites: conferences, critical studies, institutions, Vernon Lee’s texts online…

i.  Vernon Lee’s texts online

Vernon Lee’s texts can now be found online, thanks to the Victorian Women Writers Project (Indiana University).
For instance :

Miss Brown. London: 1884. Victorian Women Writers Project. Ed. Perry Willett. Indiana University. November 1997.
http://www.indiana.edu/~letrs/vwwp/lee/missbrown1.html

http://www.indiana.edu/~letrs/vwwp/lee/missbrown2.html

http://www.indiana.edu/~letrs/vwwp/lee/missbrown3.html

Gospels of Anarchy and Other Contemporary Studies. London: 1908. Victorian Women Writers Project. Ed. Perry Willett. Indiana University. November 1997.  http://www.indiana.edu/~letrs/vwwp/lee/gospels.html

Hauntings. London: Heinemann, 1890. Victorian Women Writers Project. Ed. Perry Willett. Indiana University. August 1998.
http://www.indiana.edu/~letrs/vwwp/lee/hauntings.html

Limbo and Other Essays. London: Grant Richards, 1897. Victorian Women Writers Project. Ed. Perry Willett. Indiana University. August 1998. http://www.indiana.edu/~letrs/vwwp/lee/limbo.html

Vanitas. London: Heinemann, 1892. Victorian Women Writers Project. Ed. Perry Willett. Indiana University. September 1998.
http://www.indiana.edu/~letrs/vwwp/lee/vanitas.html

Vernon Lee : Literary Revenant. The website of the 2003 London Conference can be consulted at:
http://ies.sas.ac.uk/events/conferences/2003/VernonLee/index.htm

ii. Critical articles (online)

‘In remembrance of the Spanish Legends he was wont to tell me’: Vernon Lee’s Decadent Recovery of Romantic Spain. 14 June 2013.

Mannocchi, Phyllis F. “The Development of Vernon Lee’s Politics”. Paper read at the Vernon lee Conference in Florence, Violet del Palmerino, 27-28 sept. 2012. thesibylblog.com. The text is accessible here.

Way, Peter. “Color and Copper: Mary Cassatt and Vernon Lee”. http://colorandcopper.blogspot.fr

VIII.  Novels inspired by Vernon Lee and her Friends

Pritchard, Melissa. Palmerino. New York: The Bellevue Literary Press, 2014. 191 pp. http://www.blpress.org

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